AN ITALIAN CIPPOLINO AND PAVONAZZETTO MARBLE AND MICROMOSAIC TOP ON LATER GILTWOOD STAND
AN ITALIAN CIPPOLINO AND PAVONAZZETTO MARBLE AND MICROMOSAIC TOP ON LATER GILTWOOD STAND
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AN ITALIAN CIPPOLINO AND PAVONAZZETTO MARBLE AND MICROMOSAIC TOP ON LATER GILTWOOD STAND

THE TOP ROMAN, CIRCA 1800, THE STAND MODERN

Details
AN ITALIAN CIPPOLINO AND PAVONAZZETTO MARBLE AND MICROMOSAIC TOP ON LATER GILTWOOD STAND
THE TOP ROMAN, CIRCA 1800, THE STAND MODERN
Rectangular, with inner band of micromosaic, the base with husk chains on fluted tapering legs
17 ½ in. (44.5 cm.) high, 49 ½ in. (126 cm.) wide, 28 in. (71 cm.) deep
Provenance
Acquired from Pelham Galleries, London.
Special notice
Please note lots marked with a square will be moved to Christie’s Fine Art Storage Services (CFASS in Red Hook, Brooklyn) on the last day of the sale. Lots are not available for collection at Christie’s Fine Art Storage Services until after the third business day following the sale. All lots will be stored free of charge for 30 days from the auction date at Christie’s Rockefeller Center or Christie’s Fine Art Storage Services (CFASS in Red Hook, Brooklyn). Operation hours for collection from either location are from 9.30 am to 5.00 pm, Monday-Friday. After 30 days from the auction date property may be moved at Christie’s discretion. Please contact Post-Sale Services to confirm the location of your property prior to collection. Lots may not be collected during the day of their move to Christie’s Fine Art Storage Services (CFASS in Red Hook, Brooklyn). Please consult the Lot Collection Notice for collection information.

Lot Essay

The elegant à l’antique design of this table top with its richly veined central panel of precious pavonazzetto marble within a delicate micro-mosaic border of flowers and an interlaced Greek key design, reflects the renewed taste in Rome at the end of the 18th century for the arts of ancient, classical Rome among sophisticated collectors. Several skilled craftsmen specializing in micro-mosaic antique-inspired ‘pictures’ of remarkable realism were active in Rome at this time, notably Giacomo Raffaelli (1753-1836), Antonio Aguatti (d. 1846) and Gioacchino Barberi (1772-1857).
The overall design of the table top, with its dramatically displayed central panel of marble, evokes the table tops created by in Rome in the late 16th century, which themselves paid tribute to the marble craftsmen of ancient Rome.

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