AN ATTIC BLACK-FIGURED HYDRIA
AN ATTIC BLACK-FIGURED HYDRIA
AN ATTIC BLACK-FIGURED HYDRIA
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PROPERTY FROM A MANHATTAN PRIVATE COLLECTION
AN ATTIC BLACK-FIGURED HYDRIA

MANNER OF THE ANTIMENES PAINTER, CIRCA 520 B.C.

Details
AN ATTIC BLACK-FIGURED HYDRIA
MANNER OF THE ANTIMENES PAINTER, CIRCA 520 B.C.
16 ½ in. (41.9 cm.) high
Provenance
Antiquities; Sotheby’s, London, 9 July 1973, lot 170 (reproduced pl. LV).
with N. Koutoulakis (1910-1996), Geneva.
Acquired by the current owner from the above, 1991.
Literature
Beazley Archive Pottery Database no. 3497.
Sale room notice
Please note additional provenance for Lot 66: Antiquities; Sotheby’s, London, 9 July 1973, lot 170 (reproduced pl. LV). Additionally, this Hydria is also published in Beazley Archive Pottery Database no. 3497.

Lot Essay

The Judgment of Paris, as depicted on the body of this hydria, was a favorite subject for the Antimenes Painter and his associates, who painted the scene at least thirteen times on hydriae and amphorae (See for example the hydria formerly in the Castle Ashby collection, pl. 21.1-4 in J. Boardman and M. Robertson, Corpus Vasorum Antiquorum: Castle Ashby, Great Britain, Fasc. 15).

The Judgment of Paris was a contest between the three most beautiful goddesses: Hera, Aphrodite, and Athena. Paris of Troy was given the task of deciding between the goddesses as to whom was the fairest. Each goddess offered him gifts for his favor. Paris bestowed the golden apple upon Aphrodite as she offered him the fairest woman in the world, Helen. This event was the catalyst for the Trojan War and caused the eventual downfall of the city.

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