AN ATTIC RED-FIGURED BELL KRATER
VARIOUS PROPERTIES
AN ATTIC RED-FIGURED BELL KRATER

WORKSHOP OF THE ERBACH PAINTER, CIRCA 400-390 B.C.

Details
AN ATTIC RED-FIGURED BELL KRATER
WORKSHOP OF THE ERBACH PAINTER, CIRCA 400-390 B.C.
12 ½ in. (32 cm.) high
Provenance
Paul Munro-Walker, Bournemouth, England.
Acquired by the present owner from the above in 1978.

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Laetitia Delaloye
Laetitia Delaloye

Lot Essay

The obverse shows a torch race with one of the winning team about to light the sacred fire on the altar. Nike is standing in front crowning him with a wreath, his two other teammates standing behind, one holding a ribbon, another a wreath, all three wearing distinctive headdresses. In ancient Greece torch races (lampadedromia) were run to celebrate various deities at religious festivals. In Athens, torch races took place on five special occasions including at the Prometheia, in honour of Prometheus, which started at his altar in the Academy, and at the Panatheniac festival, in honour of Athena, which started at the altar of Eros.
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For bell-kraters with similar scenes, see inv. no. 1960.344 in the Harvard University Art Museum and inv. no.1897,7-16.6 in the British Museum. For the Erbach painter and his workshop, cf. J. D. Beazley, Attic Red-Figure Vase-Painters, Oxford, 1970, pp. 1418-1419.

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