Lot Essay
The design of this coffee pot was clearly derived from elegant high-style, neo-classical silhouettes and motifs as seen on contemporary pots made by Philadelphia silversmiths such as the Richardson family. With its double-fluted corners, angular spout and short neck, the present lot bears similarities to those pots made in Baltimore by Richard Rutter and Charles Louis Boehme (see Jennifer Faulds Goldsborough, Silver in Maryland, 1984, p. 91, fig. 42-44). A similar four-piece tea and coffee set by Rutter is in the collection of the Museum of Early Southern Decorative Arts (2081-1-4).