In the darkest hour there may be light

Details

BANKSY (B. 1974), DAMIEN HIRST (B. 1965) AND VARIOUS ARTISTS
In the darkest hour there may be light
the complete set of 23 prints including lithographs, digital photographic prints and screenprints, 2006, on various papers, each signed in pencil or ink, copy number 13/50, co-published by The Serpentine Gallery & Other Criteria, London, the full sheets, in very good condition, loose in paper wrappers (as published), within the original cloth-covered box, with a digital photographic print on the front (portfolio)
480 x 340 mm. (overall)

Special notice

Artist's Resale Right ("Droit de Suite"). Artist's Resale Right Regulations 2006 apply to this lot, the buyer agrees to pay us an amount equal to the resale royalty provided for in those Regulations, and we undertake to the buyer to pay such amount to the artist's collection agent.

Further details

The Banksy in this lot is offered with the Certificate of Authenticity from Pest Control.

Sale room notice

Please note that the Banksy in this lot is offered with the Certificate of Authenticity from Pest Control.

Brought to you by

Murray Macaulay

mmacaulay@christies.com +44 (0)20 7389 2252

Lot Essay

In the darkest hour there may be light includes Banksy's digital pigment print Napalm (Can't beat the Feeling) and Damien Hirst's screenprint with glaze Blue Butterfly.

The special edition of Napalm (Can’t beat the feeling) in black with a red ‘blood splatter’ was issued in the portfolio as a signed edition of fifty following the screenprinted version in black, grey and yellow.

The contributing artists to the portfolio were Banksy, Don Brown, Angela Bulloch, John Currin, Tracey Emin, Angus Fairhurst, Steven Gregory, Marcus Harvey, Damien Hirst, Rachel Howard, John Isaacs, Michael Joo, Jeff Koons, Jim Lambie, Sean Landers, Tim Lewis, Sarah Lucas, Nicholas Lumb, Tom Ormond, Laurence Owen, Richard Prince, Haim Steinbach and Gavin Turk.

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