Henri de Toulouse-Lautrec (1864-1901)
On occasion, Christie's has a direct financial int… Read more The Collection of Peggy and David Rockefeller
Henri de Toulouse-Lautrec (1864-1901)

Yvette Guilbert

Details
Henri de Toulouse-Lautrec (1864-1901)
Yvette Guilbert
inscribed with monogram (upper right) and inscribed 'Petit monstre! Mais vous avez fait une horreur!! Yvette Guilbert!' (lower left)
white earthenware ceramic plaque, partially engraved, with colored engobe and glaze
20 ¼ x 11 1/8 in. (51.5 x 28.4 cm.)
Conceived in 1895
Provenance
Kraushaar Galleries, New York.
Abby Aldrich Rockefeller and John D. Rockefeller, Jr., New York (circa 1925).
Acquired from the estate of the above by the late owners, November 1984.
Literature
G. Coquiot, H. de Toulouse-Lautrec, Paris, 1913, p. 131 (another version illustrated).
T. Duret, Lautrec, Paris, 1920, p. 113.
M. Joyant, Henri de Toulouse-Lautrec, Paris, 1927, pp. 44 and 208 (another version illustrated, p. 47).
Art Digest, vol. 9, July 1935, p. 10 (another version illustrated).
G. Mack, Toulouse-Lautrec, New York, 1938, pp. 200-201.
M.-G. Dortu, Toulouse-Lautrec, Paris, 1952, p. 7, no. 34 (another version illustrated).
H. Perruchot, La vie de Toulouse-Lautrec, Paris, 1958, p. 244.
M.-G. Dortu, Toulouse-Lautrec et son oeuvre, New York, 1971, vol. III, p. 534, no. C. 1 (another version illustrated, p. 535).
D.L. Fennimore et al., The David and Peggy Rockefeller Collection: Decorative Arts, New York, 1992, vol. IV, p. 117, no. 125 (illustrated in color).
D. Cooper, Henri de Toulouse-Lautrec, New York, 2004, p. 30 (another version illustrated, fig. 38).
Special notice
On occasion, Christie's has a direct financial interest in the outcome of the sale of certain lots consigned for sale. This will usually be where it has guaranteed to the Seller that whatever the outcome of the auction, the Seller will receive a minimum sale price for the work. This is known as a minimum price guarantee. This is a lot where Christie’s holds a direct financial guarantee interest.

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Lot Essay

Lautrec met the famed singer, Yvette Guilbert, in 1894. She was a favorite subject for the artist in subsequent years, sitting for him for numerous drawings. Guilbert commissioned this plaque from Lautrec as the top for a small tea table. He sent the design to the potter Emile Muller in Ivry to produce a ceramic tile. Lautrec hand-colored each plaque himself before it was fired and no two examples are identical. When he submitted the design to Yvette Guilbert, she added the humourous inscription which appears in the lower left corner.

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