MAX JACOB (FRENCH, 1876-1944)
MAX JACOB (FRENCH, 1876-1944)
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Artist's Resale Right ("Droit de Suite"). Artist's… Read more PROPERTY FROM FARINGDON HOUSE, OXFORDSHIRE, LOTS 1-145
MAX JACOB (FRENCH, 1876-1944)

Le Clocher de Ploaré

Details
MAX JACOB (FRENCH, 1876-1944)
Le Clocher de Ploaré
signed and dated 'Max Jacob 30' (lower right)
bodycolour on card
16 x 21 ½ in. (40.6 x 54.6 cm.)
Provenance
with Galerie Georges Petit, Paris.
with the Lefevre Galleries, London.
Literature
R. Guiette, 'Max Jacob, Peintre.', L'Art Et Les Artistes : Revue Mensuelle D'Art Ancien Et Moderne Des Deux-Mondes, October 1930, p. 113.
M. Girouard, ‘Faringdon House, Berkshire - II, The Home of Mr. Robert Heber-Percy.’, Country Life, 19 May 1966, p. 1248. fig 5., illustrated in the large drawing room.
P. Dickinson, Lord Berners, Composer Writer Painter, London, 2008, p. 129.

Special notice
Artist's Resale Right ("Droit de Suite"). Artist's Resale Right Regulations 2006 apply to this lot, the buyer agrees to pay us an amount equal to the resale royalty provided for in those Regulations, and we undertake to the buyer to pay such amount to the artist's collection agent.

Brought to you by

Celia Harvey
Celia Harvey

Lot Essay

Max Jacob was a noted French poet, painter, writer and critic. One of the first friends Pablo Picasso made on arrival in France, he later lived with Picasso on the Boulevard Voltaire. They remained lifelong friends and Picasso immortalised Jacob in Three Musicians (now in the Museum of Modern Art, New York). He was also painted by Amedeo Modigliani in 1916, but most notably by his friend Christopher Wood (now in the Musée des beaux-arts, Quimper). It is likely, that this work showing Ploaré, Brittany, may have been completed with Wood in June 1930, when the two men met (whilst Jacob convalesced following a car-crash in 1929). Shortly before his untimely death in that year Wood completed several landscapes of Ploaré, which show the recognisable church steeple and similar village folk. One interesting example, executed from the small village of Tréboul, where Jacobs was living, was sold Sotheby's, London, 15 November 2011, lot 3. Wood was also a fellow painting companion of Lord Berners and said of him ‘…the only fault I find in his [Lord Berners] work is that it is just too perfect. He does everything as it should be done’, quoted in M. Amory, Lord Berners: the Last Eccentric, London, 1998, p. 108.

We are grateful to Madame S. Lorant Colle for confirming the authenticity of this work.

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