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EDO PERIOD (LATE 17TH-EARLY 18TH CENTURY)
Details
A PORCELAIN DISH, NABESHIMA WARE, OKAWACHI, HIZEN PROVINCE
EDO PERIOD (LATE 17TH-EARLY 18TH CENTURY)
Designed on the interior in cobalt blue under the colorless glaze with branches of fruiting peaches reserved on two circular bands of cresting-wave pattern (sekigaiha) encircled by a ring of celadon glaze at the rim, the exterior decorated in underglaze blue with three tasseled coin sprays and the raised foot ring with a comb-tooth band
8 1/8 in. (20.6 cm) diameter; 2 ½ in. (5.6 cm) high
EDO PERIOD (LATE 17TH-EARLY 18TH CENTURY)
Designed on the interior in cobalt blue under the colorless glaze with branches of fruiting peaches reserved on two circular bands of cresting-wave pattern (sekigaiha) encircled by a ring of celadon glaze at the rim, the exterior decorated in underglaze blue with three tasseled coin sprays and the raised foot ring with a comb-tooth band
8 1/8 in. (20.6 cm) diameter; 2 ½ in. (5.6 cm) high
Literature
Arakawa Masaaki, ed., Nabeshima: Kumio Yuji korekushon / Nabeshima: Yuji Kamio Collection (Tokyo: Kumio Yuji, 2014), cover illustration and pl. 15.
Kudo Yoshiro, ed., Nabeshima ten: Waga kuni yuitsu no kanyo Nabeshima sono shutsugen kara shuen made (Exhibition of Nabeshima: Sole official Nabeshima kiln from its origins to its cessation) (Saga: The Kyushu Ceramic Museum, 1996), pl. 59.
The Kyushu Ceramic Museum, ed. Nihon no seiji kinsei kara gendai made (Japanese celadon from the early modern period to the present) (Saga: The Kyushu Ceramic Museum, 1989), pl. 127.
Kanagawa Prefectural Museum, ed., Tokubetsuten Nabeshima hanyo kara gendai made (Special exhibition of Nabeshima: From the provincial public kiln to today) (Kanagawa Prefectural Museum, 1987), pl. 125.
Kudo Yoshiro, ed., Nabeshima ten: Waga kuni yuitsu no kanyo Nabeshima sono shutsugen kara shuen made (Exhibition of Nabeshima: Sole official Nabeshima kiln from its origins to its cessation) (Saga: The Kyushu Ceramic Museum, 1996), pl. 59.
The Kyushu Ceramic Museum, ed. Nihon no seiji kinsei kara gendai made (Japanese celadon from the early modern period to the present) (Saga: The Kyushu Ceramic Museum, 1989), pl. 127.
Kanagawa Prefectural Museum, ed., Tokubetsuten Nabeshima hanyo kara gendai made (Special exhibition of Nabeshima: From the provincial public kiln to today) (Kanagawa Prefectural Museum, 1987), pl. 125.
Exhibited
The Kyushu Ceramic Museum, “Nabeshima ten: Waga kuni yuitsu no kanyo Nabeshima sono shutsugen kara shuen made” (Exhibition of Nabeshima: Sole official Nabeshima kiln from its origins to its cessation), 1996.8.8-9.22.
The Kyushu Ceramic Museum, “Nihon no seiji kinsei kara gendai made” (Japanese celadon from the early modern period to the present), 1989.9.30-11.5.
Kanagawa Prefectural Museum, “Tokubetsuten Nabeshima hanyo kara gendai made” (Special exhibition of Nabeshima: From the provincial public kiln to today), 1987.9.20-11.15.
The Kyushu Ceramic Museum, “Nihon no seiji kinsei kara gendai made” (Japanese celadon from the early modern period to the present), 1989.9.30-11.5.
Kanagawa Prefectural Museum, “Tokubetsuten Nabeshima hanyo kara gendai made” (Special exhibition of Nabeshima: From the provincial public kiln to today), 1987.9.20-11.15.
Brought to you by
Takaaki Murakami