A GEORGE II GILTWOOD MIRROR
A GEORGE II GILTWOOD MIRROR
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This lot will be removed to Christie’s Park Royal.… Read more PROPERTY FROM FARINGDON HOUSE, OXFORDSHIRE
A GEORGE II GILTWOOD MIRROR

CIRCA 1745-50, IN THE MANNER OF MATTHIAS LOCK

Details
A GEORGE II GILTWOOD MIRROR
CIRCA 1745-50, IN THE MANNER OF MATTHIAS LOCK
The divided plate within a rocaille and foliate-scrolled frame with masks to each side, the lower mirror plate apparently original, re-gilt
83 x 46 ½ in. (211 x 118 cm.)
Literature
M. Girouard, ‘Faringdon House, Berkshire - II, The Home of Mr. Robert Heber-Percy.’, Country Life, 19 May 1966, p. 1248. fig 5., illustrated in the large drawing room.
S. Zinovieff, The Mad Boy, Lord Berners, My Grandmother and Me, London, 2014, p. XII.
Special notice
This lot will be removed to Christie’s Park Royal. Christie’s will inform you if the lot has been sent offsite. Our removal and storage of the lot is subject to the terms and conditions of storage which can be found at Christies.com/storage and our fees for storage are set out in the table below - these will apply whether the lot remains with Christie’s or is removed elsewhere. Please call Christie’s Client Service 24 hours in advance to book a collection time at Christie’s Park Royal. All collections from Christie’s Park Royal will be by pre-booked appointment only. Tel: +44 (0)20 7839 9060 Email: cscollectionsuk@christies.com. If the lot remains at Christie’s it will be available for collection on any working day 9.00 am to 5.00 pm. Lots are not available for collection at weekends.

Brought to you by

Peter Horwood
Peter Horwood

Lot Essay

This elegant pier glass in the full rococo manner is inspired by an earlier model published in Matthias Lock’s Six Sconces in 1744 (plate 4); a pier glass after Lock’s design sold Christie’s, London, 6 July 2017, lot 13 (£87,500 inc. premium). Lock’s designs were highly influential, and much emulated through dissemination in a series of pattern books. The Lock example features facing male and female terms, a model that was adapted by Thomas Chippendale in an engraving dated 1760, reproduced in his third edition of The Gentleman and Cabinet-Maker’s Director, 1762, plate CLXX, and also in the designs of Lock’s protégé Thomas Johnson, illustrated in his Collection of Designs (1758), plate 5, and One Hundred & Fifty New Designs (1761), plate 31.

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