A DETACHED FOLIO FROM A POLIER ALBUM: AN ASSEMBLY OF DERVISHES
A DETACHED FOLIO FROM A POLIER ALBUM: AN ASSEMBLY OF DERVISHES
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A DETACHED FOLIO FROM A POLIER ALBUM: AN ASSEMBLY OF DERVISHES

LUCKNOW, PROVINCIAL MUGHAL INDIA, CIRCA 1760; THE CALLIGRAPHY, SIGNED MUHAMMAD MURAD, INDIA, MID-18TH CENTURY

Details
A DETACHED FOLIO FROM A POLIER ALBUM: AN ASSEMBLY OF DERVISHES
LUCKNOW, PROVINCIAL MUGHAL INDIA, CIRCA 1760; THE CALLIGRAPHY, SIGNED MUHAMMAD MURAD, INDIA, MID-18TH CENTURY






Opaque pigments heightened with gold on paper, each to his own occupations or in conversation with the other, a shelter beneath a tree in the background, in gold scrolling margins on blue ground, with wide floral borders in thing gold and black rules; the reverse with a nasta'liq quatrain in floral margins on blue ground
Folio 13 ¾ x 9 ¾in. (356 x 24.8cm.), the painting 8 ¼ x 5 ¼in. (21 x 13.4cm.), the quatrain 9 x 5 ¼in. (23 x 13.4cm.)
Provenance
Acquired from the Arcade Gallery, London, 16 July 1976
Engraved
In Antoine Louis Henri Polier's hand: 28. Assemblée de buveurs de Bang

Lot Essay

This album page bears a note by Polier describing the painting scene and the number 28. The previous page of this album which also bears a hand-written note by Polier and was numbered 27, sold at Christie's, London, 25 May 2017, lot 98. The French inscriptions only appear between 1767-68, after which time Polier began to annotate his albums in Hindi and Urdu, which he learned while at court. For Polier albums with inscriptions in the same hand, see R. Hickman & Enderlein, Indische Albumblatte, Leipzig, 1979, cat. nos. 1, 11, 21, 39, 43 and 51. For a detailed note on Polier see the introduction, before lot 21.

The reverse of this folio bears the Nada ‘Ali prayer and is signed by Mohammad Murad, who was a student of Muhammad Husayn Kashmiri, a master of nasta’liq. The Royal Collection also houses a calligraphy panel by Muhammad Murad (inv. non. RCIN 1005066).

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