A LARGE SARREGUEMINES MAJOLICA BLUE-GROUND JARDINIERE AND STAND
This lot will be removed to Christie’s Park Royal.… Read more THE PROPERTY OF A LADY
A LARGE SARREGUEMINES MAJOLICA BLUE-GROUND JARDINIERE AND STAND

DESIGNED BY ALEXANDRE SANDIER, SECOND QUARTER 20TH CENTURY, IMPRESSED UPPERCASE MARKS AND '539', MODEL NO. 1272, AND STAMPED MARK

Details
A LARGE SARREGUEMINES MAJOLICA BLUE-GROUND JARDINIERE AND STAND
DESIGNED BY ALEXANDRE SANDIER, SECOND QUARTER 20TH CENTURY, IMPRESSED UPPERCASE MARKS AND '539', MODEL NO. 1272, AND STAMPED MARK
Enriched with gilding overall, the circular jardinière modelled with Classical figures among scrolling ribbons and braided garlands, supported by a conforming baluster-form stand flanked by three monopedia above a stepped circular base decorated with interlaced urns
36 ¼ in. (92 cm.) high; 30 in. (56 cm.) diameter
Special notice
This lot will be removed to Christie’s Park Royal. Christie’s will inform you if the lot has been sent offsite. Our removal and storage of the lot is subject to the terms and conditions of storage which can be found at Christies.com/storage and our fees for storage are set out in the table below - these will apply whether the lot remains with Christie’s or is removed elsewhere. Please call Christie’s Client Service 24 hours in advance to book a collection time at Christie’s Park Royal. All collections from Christie’s Park Royal will be by pre-booked appointment only. Tel: +44 (0)20 7839 9060 Email: cscollectionsuk@christies.com. If the lot remains at Christie’s it will be available for collection on any working day 9.00 am to 5.00 pm. Lots are not available for collection at weekends.

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Giles Forster
Giles Forster

Lot Essay

Alexandre Sandier (1843-1916) trained as an architect at the Ecole des Beaux-Arts in Paris from 1862-1868 before becoming a decorator and designer at the Sarreguemines factory. In 1881 Sandier entered a plaster prototype of this form for the competition Prix de Sèvres, which was so successfully received that it went on to be reproduced in majolica (fig. 1). The decorative moulding on the vase is emblematic of ceramic production with the urn motif repeated on the footrim of the base as well as the central frieze. The Sarreguemines Museum described this model as a ‘Coupe Sandier’ in their 1990 catalogue De l’Utile au Futile: une grand variété d'objets. Another jardiniere on stand of the same model and with a marble plinth sold in these rooms 18 September 2014, lot 14 (£18,750).

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