A FINE AND VERY RARE BLUE AND WHITE ‘FLORAL’ BOWL
A FINE AND VERY RARE BLUE AND WHITE ‘FLORAL’ BOWL
A FINE AND VERY RARE BLUE AND WHITE ‘FLORAL’ BOWL
A FINE AND VERY RARE BLUE AND WHITE ‘FLORAL’ BOWL
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THE PROPERTY OF A GENTLEMAN
A FINE AND VERY RARE BLUE AND WHITE ‘FLORAL’ BOWL

XUANDE SIX-CHARACTER MARK IN UNDERGLAZE BLUE WITHIN A DOUBLE CIRCLE AND OF THE PERIOD (1426-1435)

Details
A FINE AND VERY RARE BLUE AND WHITE ‘FLORAL’ BOWL
XUANDE SIX-CHARACTER MARK IN UNDERGLAZE BLUE WITHIN A DOUBLE CIRCLE AND OF THE PERIOD (1426-1435)
The bowl is finely painted in inky-blue tones to the interior with a central medallion containing a lotus borne on a leafy sprig, below the well painted with a composite floral scroll bearing five different blooms, including lotus, peony, camellia, chrysanthemum and pomegranate, below a border of chrysanthemum scroll around the rim. The design of composite floral scroll repeats on the exterior below a key-fret border around the rim, and above bands of upright lappets and a classic scroll. The base is inscribed with the reign mark.
7 7/8 in. (19.6 cm.) diam.
Provenance
The Chang Foundation Museum of Art, Taipei
The Alan Chuang Collection, Hong Kong
Literature
James Spencer, Selected Chinese Ceramics from Han to Qing Dynasties, Taipei, 1990, no. 86
The Alan Chuang Collection of Chinese Porcelain, Hong Kong, 2009, pp. 62-63, no. 12

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Priscilla Kong
Priscilla Kong

Lot Essay

A nearly identical Xuande-marked bowl of this design and size is in the National Palace Museum, Taipei, illustrated in Catalogue of the Special Exhibition of Selected Hsüan-te Imperial Porcelains of the Ming Dynasty, Taipei, 1998, pp.324-325, no. 135; another example is in the British Museum, illustrated by Jessica Harrison-Hall, Ming Ceramics, London, 2001, p.133, no. 4:24; and a third was sold at Sotheby’s Hong Kong, 8 October 2014, lot 3694.
Most other Xuande-marked bowls of this form belong to a smaller size group, measuring approximately 17.4 cm. in diameter, and are painted with a lotus scroll on the exterior. Several of such examples are in the National Palace Museum, Taipei, one of which is illustrated ibid., pp. 322-323, no. 134; one in the British Museum, ibid., p. 133, no. 4:25; and another in the Tianminlou Collection, illustrated in Chinese Porcelain: The S.C. Ko Tianminlou Collection, part 1, Hong Kong, 1987, no. 21.
The current bowl is closely modelled after the Yongle prototype, such as a bowl of nearly identical size and design in the National Palace Museum, Taipei, see Pleasingly Pure and Lustrous: Porcelains from the Yongle Reign (1403-1424) of the Ming Dynasty, Taipei, 2007, p. 73 (fig. 1), illustrated opposite to another Yongle bowl of the same decoration with the exception of the band of waves around the inner rim, ibid., p. 74.

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