A SANCAI-GLAZED POTTERY FIGURE OF AN EQUESTRIENNE
PROPERTY FROM THE PETER SCHEINMAN COLLECTION
A SANCAI-GLAZED POTTERY FIGURE OF AN EQUESTRIENNE

TANG DYNASTY (AD 618-907)

Details
A SANCAI-GLAZED POTTERY FIGURE OF AN EQUESTRIENNE
TANG DYNASTY (AD 618-907)
The slender female rider is depicted wearing a green scarf and a long dress gathered below the bodice, her hair is drawn up into a topknot, and she is seated on an amber-glazed horse with splash-glazed saddle blanket.
16 in. (40.7 cm.) high
Provenance
Peter Scheinman (1932-2017) Collection, New York, before 1992.
Literature
F. Klapthor, Born of Earth and Fire: Chinese Ceramics from the Scheinman Collection, Baltimore, 1992, p. 65, no. 37.
Exhibited
The Baltimore Museum of Art, Baltimore, Born of Earth and Fire: Chinese Ceramics from the Scheinman Collection, 9 September to 8 November 1992.

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Olivia Hamilton
Olivia Hamilton

Lot Essay

For a discussion on the depiction of women on horseback, see Virginia Bower, 'Two Masterworks of Tang Ceramic Sculpture', Orientations, June, 1993, pp. 75-77, where various examples in both painted pottery and sancai glaze are illustrated. The author notes that figures of women on horseback became common during the sixth century, and were increasingly numerous in tombs during the Sui and Tang periods, as more women took up riding. By the late 720s and 730s, however, figures of riders of either sex were declining, although literary evidence suggests that riding remained a common activity for both men and women.

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