A LATE LOUIS XV ORMOLU-MOUNTED TULIPWOOD AND AMARANTH TABLE A ECRIRE
A LATE LOUIS XV ORMOLU-MOUNTED TULIPWOOD AND AMARANTH TABLE A ECRIRE
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Prospective purchasers are advised that several co… Read more
A LATE LOUIS XV ORMOLU-MOUNTED TULIPWOOD AND AMARANTH TABLE A ECRIRE

BY JEAN-FRANCOIS OEBEN, CIRCA 1760, THE MOUNTS LATER

Details
A LATE LOUIS XV ORMOLU-MOUNTED TULIPWOOD AND AMARANTH TABLE A ECRIRE
BY JEAN-FRANCOIS OEBEN, CIRCA 1760, THE MOUNTS LATER
The sliding top above a frieze drawer enclosing a leather-lined writing surface and a divided compartment fitted with an inkwell, sander and pen niche, stamped twice J.F. OEBEN and JME
28 in. (71 cm.) high, 24 ¼ in. (61.5 cm.) wide, 16 in.(41 cm.) deep
Provenance
Acquired from René Weiller, Paris, in 1967.
Special notice
Prospective purchasers are advised that several countries prohibit the importation of property containing materials from endangered species, including but not limited to coral, ivory and tortoiseshell. Accordingly, prospective purchasers should familiarize themselves with relevant customs regulations prior to bidding if they intend to import this lot into another country. Please note this lot will be moved to Christie’s Fine Art Storage Services (CFASS in Red Hook, Brooklyn) at 5pm on the last day of the sale. Lots may not be collected during the day of their move to Christie’s Fine Art Storage Services. Please consult the Lot Collection Notice for collection information. This sheet is available from the Bidder Registration staff, Purchaser Payments or the Packing Desk and will be sent with your invoice. On occasion, Christie's has a direct financial interest in the outcome of the sale of certain lots consigned for sale. This will usually be where it has guaranteed to the Seller that whatever the outcome of the auction, the Seller will receive a minimum sale price for the work. This is known as a minimum price guarantee. This is a lot where Christie’s holds a direct financial guarantee interest.

Lot Essay

Jean-François Oeben, maître in 1759.

Jean-François Oeben (1721-1763) was born in Germany and must have moved to France before 1749, when he married the daughter of the ébéniste François Vandercruse, himself father of the celebrated Roger Vandercruse known as Lacroix (RVLC). Oeben was trained by the son of André-Charles Boulle from whom he rented workshop space at the Galeries du Louvre.
When the latter died, Jean-François Oeben was granted a Royal warrant on 15 December 1754, enabling him to move into the Manufacture des Gobelins, as well as receiving the title of Ebéniste du Roi. At that point, he employed his younger brother Simon as a journeyman. During the same year, his name appeared in the Journal du Garde-Meuble de la Couronne, having delivered a commode for the apartment of the Dauphin in Versailles. In 1756, he moved to the Arsenal when a Royal brevet granted him and his wife the life tenancy of a workshop. In 1760 he began work on the famed bureau du Roi, later completed by Jean-Henri Riesener who until then had been his principal assistant. In 1761, Oeben became a maître without requirement to pay the fees generally demanded. When he died in 1763, his widow took over his business and choose Riesener to run it, who she would eventually marry.
Oeben was both an ébéniste and a mécanicien. It is only because he enjoyed Royal protection that he was able to combine two activities that guild regulations prohibited any craftsmen from practicing at the same time. Therefore, he was able to specialize in luxurious pieces of furniture incorporating elaborate mechanisms such as tables à la Bourgogne, tables de toilette or à écrire fitted with sliding tops such as the present table.

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