MARIUS JEAN ANTONIN MERCIÉ (FRENCH, 1845-1916)
MARIUS JEAN ANTONIN MERCIÉ (FRENCH, 1845-1916)
MARIUS JEAN ANTONIN MERCIÉ (FRENCH, 1845-1916)
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MARIUS JEAN ANTONIN MERCIÉ (FRENCH, 1845-1916)
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This lot will be removed to Christie’s Park Royal.… Read more
MARIUS JEAN ANTONIN MERCIÉ (FRENCH, 1845-1916)

Gloria Victis

Details
MARIUS JEAN ANTONIN MERCIÉ (FRENCH, 1845-1916)
Gloria Victis
signed 'A. MERCIÉ', titled 'GLORIA VICTIS', with foundry inscription 'F. BARBEDIENNE, Fondeur. Paris.' and with 'A. COLLAS REDUCTION MECHANIQUE' cachet and numbered '791', with commemorative inscription 'A MON CHER JULES/ 22 NOVEMBRE 1889/ VALÈRIE', on a rouge griotte marble base
bronze, gilt and patinated; rouge griotte marble
36 5/8 in. (93 cm.) high, the bronze
42 in. (107 cm.) high, overall
Conceived circa 1874.
This bronze circa 1889.
Special notice
This lot will be removed to Christie’s Park Royal. Christie’s will inform you if the lot has been sent offsite. Our removal and storage of the lot is subject to the terms and conditions of storage which can be found at Christies.com/storage and our fees for storage are set out in the table below - these will apply whether the lot remains with Christie’s or is removed elsewhere. Please call Christie’s Client Service 24 hours in advance to book a collection time at Christie’s Park Royal. All collections from Christie’s Park Royal will be by pre-booked appointment only. Tel: +44 (0)20 7839 9060 Email: cscollectionsuk@christies.com. If the lot remains at Christie’s it will be available for collection on any working day 9.00 am to 5.00 pm. Lots are not available for collection at weekends.

Brought to you by

Giles Forster
Giles Forster

Lot Essay

The full-size plaster model of Gloria Victis was exhibited at the Salon of 1874, winning the Medaille d'Honneur and critical acclaim. It was then purchased by the City of Paris for the sum of twelve thousand francs and then cast in bronze by Victor Thiébaut for eight thousand francs. The original bronze is now placed in a central courtyard at the Hôtel de Ville. The plaster version was re-exhibited at the Paris Exposition Universelle of 1878, alongside bronze reductions of the group by Barbedienne. Mercié's modern sculpture had become an instant classic, even receiving an entry in the Nouveau Larousse Illustré. The success of the group undoubtedly lay in the fact that it was admired not just on an aesthetic level, but also on a patriotic level. The winged female figure of hope carries to glory a dying French hero, his broken sword a sign of defeat. As the sting of their defeat at the hands of the Prussians was still keenly felt by the French nation, the idea of commemoration of heroism in defeat made Mercié’s composition especially popular. Critics also marvelled at the compositional daring of the group, balancing as it did two figures on the minimal support of one foot.

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