Craigie Aitchison, R.A. (1926-2009)
Artist's Resale Right ("Droit de Suite"). Artist's… Read more
Craigie Aitchison, R.A. (1926-2009)

Landscape from Inside a Cathedral

Details
Craigie Aitchison, R.A. (1926-2009)
Landscape from Inside a Cathedral
oil on canvas
36 x 30 in. (91.5 x 76.2 cm.)
Painted in 1957.
Provenance
with Beaux Arts Gallery, London.
The collection of the late Anthony Fry.
Literature
A. Gibbon Williams, The Art of Craigie Aitchison, Edinburgh, 1996, p. 170, pl. 10.
C. Haste, Craigie Aitchison A Life in Colour, Farnham, 2014, pp. 52-53, 239, pl. 38.
Exhibited
London, Arts Council of Great Britain, Serpentine Gallery, Craigie Aitchison Paintings 1953-1981, December 1981 - January 1982, no. 5: this exhibition travelled to Nottingham, Midland Group, February - March 1982; Old Portsmouth, City Museum and Art Gallery, April - May 1982; Milton Keynes, Central Library Exhibition Gallery, May - June 1982; and Bolton, Museum and Art Gallery, July - August 1982.
Special notice
Artist's Resale Right ("Droit de Suite"). Artist's Resale Right Regulations 2006 apply to this lot, the buyer agrees to pay us an amount equal to the resale royalty provided for in those Regulations, and we undertake to the buyer to pay such amount to the artist's collection agent.

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Pippa Jacomb
Pippa Jacomb

Lot Essay

Landscape from inside a Cathedral is a beautiful example of Craigie Aitchison’s refined and balanced palette, complete with the more muted tones Aitchison had picked up from his time travelling around Italy; these replaced the far brighter colours from the years prior to this. The artist was captivated by Piero della Francesca’s Legend of the True Cross in Arezzo Cathedral, a work which influenced not only his colour palette but his decisions on composition, and extending the work right to the edge of the canvas. Dividing his experience into a ‘before’ and ‘after’ Italy, the artist began to move away from painting objects in isolation. In this work, he situates the landscape within the frame of a cathedral window, creating a viewpoint which draws the eye towards the brighter outdoors. The cross, prominently purple in the centre left of this work, became a recurrent symbol in Aitchison’s paintings in the years following. When he returned to Edinburgh from Italy, the artist focused his attention on landscapes and a series of crucifixion paintings. Upon first seeing the work, fellow artist Anthony Fry recalled that he couldn’t stop thinking about it: 'I just loved that picture. And I wasn’t a great purchaser, I wasn’t a buyer. I didn’t have much money. But I decided that definitely I was going to get it' (quoted in C. Haste, Craigie Aitchison A Life in Colour, Farnham, 2014, p. 52).

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