THANGKA REPRESENTANT MAHAKALA MANING
THANGKA REPRESENTANT MAHAKALA MANING

TIBET, XVIIIEME SIECLE

Details
THANGKA REPRESENTANT MAHAKALA MANING
TIBET, XVIIIEME SIECLE
Il est représenté en pratyalidhasana sur des divinités placées sur une base lotiforme. Ses mains principales tiennent une lance et un cœur humain. Le registre supérieur est orné de Padmasambhava, Samantabhadra et Vajradhara. Il est entouré par des divinités protectrices portant leur nom inscrit à l'or.
Dimensions: 71 x 47 cm. (28 x 18 ½ in.), encadré
Provenance
The Private Collection of Lionel and Danielle Fournier of Himalayan Art, collected in Europe during the 1970s-1980s.
Further details
A FRAMED THANGKA DEPICTING MAHAKALA MANING
TIBET, 18TH CENTURY

Lot Essay

Despite condition issues this dramatic and powerfully executed painting portrays a rare Mahakala manifestation, namely the Black Eunuch (Ma ning), carrying spear and human heart. Most likely his name suggests that he is without organs and thus resulting in not able to join a monastery as monk or as nun. Perhaps this refers to the transcending duality quality of the deity. He presides over the protectors of the Nyingmapa order of which founder Padmasambhava is presented in the left upper corner. Next to him are Samantabhadra, Vajradhara, the Indian master dGa’ rab rdo rje (8th Ct.) and Avalokiteshvara. Flanking him are three forms of the standing goddess Tse ring ma and another Mahakala form. The lower register sees Rahula with serpent body, the one-eyed Ekajati and Dam can, all inscribed in gold with their names. The highly energetic painting is finely drawn in gold with some subtle and subdued touches of different colours against a black background.

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