A CLASSICAL CARVED MAHOGANY CHEST-OF-DRAWERS
Please note this lot will be moved to Christie’s F… Read more PROPERTY FROM THE WESTERVELT COMPANY
A CLASSICAL CARVED MAHOGANY CHEST-OF-DRAWERS

PROBABLY BY JOSEPH B. BARRY & SON (ACTIVE 1810-1822), PHILADELPHIA, CIRCA 1815

Details
A CLASSICAL CARVED MAHOGANY CHEST-OF-DRAWERS
PROBABLY BY JOSEPH B. BARRY & SON (ACTIVE 1810-1822), PHILADELPHIA, CIRCA 1815
second drawer divider with handwritten inscription in graphite RB Sille[illeg]
42 in. high, 47 in. wide, 23 ½ in. deep
Provenance
Hirschl & Adler Galleries, New York
Literature
Hirschl & Adler Galleries, Inc., advertisement, The Magazine Antiques (May 1990), p. 1004.
Hirschl & Adler Galleries, Inc., Neo-Classicism In America: Inspiration and Innovation (New York, 1991), no. 71, p. 99.
Tom Armstrong, Amy Coes, Ella Foshay, and Wendell Garrett, An American Odyssey: The Warner Collection of Fine and Decorative Arts (New York, 2001), p. 173.
Exhibited
New York, Hirschl & Adler, Neo-Classicism in America: Inspiration and Innovation, 27 April - 7 June 1991.
Special notice
Please note this lot will be moved to Christie’s Fine Art Storage Services (CFASS in Red Hook, Brooklyn) at 5pm on the last day of the sale. Lots may not be collected during the day of their move to Christie’s Fine Art Storage Services. Please consult the Lot Collection Notice for collection information. This sheet is available from the Bidder Registration staff, Purchaser Payments or the Packing Desk and will be sent with your invoice.

Lot Essay

For a very similar example attributed to Joseph B. Barry see Donald L. Fennimore, "Egyptian Influence in Early Nineteenth-Century American Furniture," The Magazine Antiques (May 1990), p. 1198, pl. IV. The attribution of this group of chests is solidified by an advertisement that Barry placed in the January 11, 1810 issue of Philadelphia's Aurora General Advertiser in which he was selling "3 pair Eliptic Bureaus, columns and Egyptian figures." Barry is thought to have been one of the first cabinetmakers to capitalize on American's interest in Egyptian culture and motifs in his furniture. That influence can be seen in this piece with the elaborately carved, figural columns. The beehive-shaped reeded feet on the subject chest are also characteristic of pieces attributed to Barry. Another related example with carved male figures wearing turbans can be seen in Israel Sack, Inc., American Antiques from Israel Sack Collection, vol. VII, p.1822, no. P5039. Another example is in the collection at The Henry Ford (62.73.7). For further information on Barry see Donald L. Fennimore and Robert T. Trump, "Joseph B. Barry, Philadelphia Cabinetmaker," The Magazine Antiques (May 1989), pp. 1212-1225.

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