DANIEL ROHR
DANIEL ROHR
DANIEL ROHR
DANIEL ROHR
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This lot will be removed to Christie’s Park Royal.… Read more
DANIEL ROHR

COLANDER TABLE, DESIGNED 2009

Details
DANIEL ROHR
COLANDER TABLE, DESIGNED 2009
from an edition of 8, plus 2 prototypes 2 artist's proofs
signed and numbered
hand polished milled aluminium and plate glass
37 ½ in. (95 cm.) high; 63 in. (160 cm.) wide; 28 ½ in. (72 cm.) deep
Provenance
Commissioned directly from the artist.
Special notice
This lot will be removed to Christie’s Park Royal. Christie’s will inform you if the lot has been sent offsite. Our removal and storage of the lot is subject to the terms and conditions of storage which can be found at Christies.com/storage and our fees for storage are set out in the table below - these will apply whether the lot remains with Christie’s or is removed elsewhere. Please call Christie’s Client Service 24 hours in advance to book a collection time at Christie’s Park Royal. All collections from Christie’s Park Royal will be by pre-booked appointment only. Tel: +44 (0)20 7839 9060 Email: cscollectionsuk@christies.com. If the lot remains at Christie’s it will be available for collection on any working day 9.00 am to 5.00 pm. Lots are not available for collection at weekends. The VAT treatment will depend on whether you have registered to bid with an EU or non-EU address: If you register to bid with an address within the EU you will be invoiced under the VAT Margin Scheme. If you register to bid with an address outside of the EU you will be invoiced under standard VAT rules.

Brought to you by

Benedict Winter
Benedict Winter

Lot Essay

Winner of the Country Life/LAPADA “Object of the Year" Completion, 2011.

This table is the culmination of a year of experimentation with aluminium to achieve an optical illusion by deleting both space and material. By creating empty spaces between the materials, the plate glass surface and the bowl of the table, and within the material itself, the 909 holes, the artist has created an illusion. When viewed from certain angles, the glass surface disappears becoming one with the mirror polished aluminium below and objects placed on the surface appear to float. The legs too take up the theme with their vertically milled lines deduced from the pattern of holes in the table; the light and shadow effect produced gives them the appearance of glass.

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