AN ENGLISH SLIPWARE CAT JUG
These lots have been imported from outside the EU … Read more
AN ENGLISH SLIPWARE CAT JUG

PROBABLY FIRST HALF OF THE 18TH CENTURY, STAFFORDSHIRE

Details
AN ENGLISH SLIPWARE CAT JUG
PROBABLY FIRST HALF OF THE 18TH CENTURY, STAFFORDSHIRE
Modelled seated on its haunches with its tail curled up between its legs and across its chest, the eyes, nose and whiskers trailed in cream and light-brown slip, the body with bands of stripes and dots, the spout aperture behind the ears
6 1/8 in. (15.5 cm.) high
Provenance
Anonymous sale; Sotheby's, London, 12 June 2001, lot 249.
Special notice
These lots have been imported from outside the EU for sale using a Temporary Import regime. Import VAT is payable (at 5%) on the Hammer price. VAT is also payable (at 20%) on the buyer’s Premium on a VAT inclusive basis. When a buyer of such a lot has registered an EU address but wishes to export the lot or complete the import into another EU country, he must advise Christie's immediately after the auction.

Brought to you by

Nicola Chan
Nicola Chan

Lot Essay

Jugs of this type and date are known in English delftware, but are quite rare, slipware examples even more so. The only other recorded example from the Glaisher Collection is in the Fitzwilliam Museum, Cambridge (museum no. C.234-1928), which was formerly in the Turner Collection at Atherstone.

A close comparison of the two cat jugs has revealed many similarities in terms of materials, form and decoration. The Fitzwilliam Museum cat is slightly smaller (5 ½ in.) than the present lot, as it has is has been modelled in a slightly squatter shape. Both are quite thinly potted, with bases which have been pushed slightly inwards, and the modelling of the paws is very similar. The Fitzwilliam Museum cat is decorated below the chin with a 'T', which Dr. Glaisher suggested may have stood for Thomas Toft. Whilst the present lot does not bear an initial, it has further similarities to the Glaisher cat, in particular the manner in which the tail and the haunches are delineated in slip, and the comma shaped motifs on each cheek. Both have a naïve charm that is comparable to that of the delftware cat jugs dating to the late 17th century and early 18th century.

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