A LOUIS XV ENAMELLED GOLD SNUFF-BOX
A LOUIS XV ENAMELLED GOLD SNUFF-BOX
A LOUIS XV ENAMELLED GOLD SNUFF-BOX
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A LOUIS XV ENAMELLED GOLD SNUFF-BOX

BY LOUIS PHILIPPE DEMAY (FL. 1758-1772), MARKED, PARIS, 1768/1769, WITH THE CHARGE AND DECHARGE MARKS OF JULIEN ALATERRE 1768-1774

Details
A LOUIS XV ENAMELLED GOLD SNUFF-BOX
BY LOUIS PHILIPPE DEMAY (FL. 1758-1772), MARKED, PARIS, 1768/1769, WITH THE CHARGE AND DECHARGE MARKS OF JULIEN ALATERRE 1768-1774
circular box, the cover, sides and base set with panels of translucent dark-red enamel on an engine-turned ground, each set with circular and oval miniatures painted en grisaille depicting scenes from the life of Alexander The Great between putti and trophies, within vari-colour gold foliate borders and hung with foliate garlands over column pilasters
2 5/8 in. (66 mm.) diam.
Provenance
The Rt. Hon. The Earl of Harewood sale, Christie's, London, 21 April 1964, lot 38.
Literature
Clare Le Corbeiller, European and American Snuff-boxes 1730-1830, London, 1966, colour p. II c.
Sale room notice
Please note the miniatures on this box are on ivory.
Prospective purchasers are advised that several countries prohibit the importation of property containing materials from endangered species, including but not limited to coral, ivory and tortoiseshell. Accordingly, prospective purchasers should familiarize themselves with relevant customs regulations prior to bidding if they intend to import this lot into another country.

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David McLachlan
David McLachlan

Lot Essay

Louis-Philippe Demay worked for the services of the Présents du Roi and of the Menus Plaisirs of King Louis XV. Among his clients was also the notorious La Comtesse du Barry. According to S. Grandjean, Les tabatières du musée du Louvre, Paris, 1981, p. 79, only eleven boxes by Demay are recorded, all dated between 1760 and 1769. These include four snuff-boxes in the Louvre and three boxes in the Metropolitan Museum of Art.
The scene on the cover depicts Philip of Acarnania, a friend and physician of Alexander, saving the king's life when he had been seized with a severe attack of fever. Parmenion had sent a letter to warn Alexander that Philip had been bribed by Darius III to poison him. Alexander, however, would not doubt the honesty of his physician and drank the draught that Philip had prepared for him. The king's speedy recovery fully justified his confidence in the skill and honesty of his physician who later removed an arrow from Alexander's shoulder following the siege of Gaza in 332 BC.
The scene on the base depicts the meeting between Alexander and the philosopher Diogenes. For centuries of European art, it was one of the most frequently portrayed moments from classical antiquity. Diogenes was the antisocial, ascetic philosopher who lived in a barrel and rejected all of the norms of civilized behaviour. He is usually portrayed as almost naked and unkempt, with long hair and a beard. The brief encounter between the two is generally said to have taken place in Corinth, where Diogenes lived in his later years. In the most famous exchange of the meeting, Alexander asked Diogenes whether there was anything he could do for him. Diogenes, who was enjoying the warmth of the autumn sun, answered, “Stand aside to stop blocking the sun.”

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