Lot Essay
The Twenty Four Paragons of Filial Piety was written by the Yuan Dynasty scholar and well-known poet Guo Jujing (Jp: Kaku Kyokei). This highly influential text featuring twenty-four pious children as paragons of filial piety and was used to teach Confucian moral values. The theme entered Japan during the Momoyama period (1573–1615) and became extensively celebrated in Japanese art.
Pictured in fine lacquer on this cabinet (inside the hinged doors) is the paragon Dashun (Jp: Taishun), a legendary emperor who, despite a neglectful father who favoured his cruel step-mother and her son, went to cultivate land for his parents on Mt. Li, where an elephant and bird helped him with the difficult task. Also featured (lower left drawer-front) is Yang Xiang (Jp: You Kou), who aged fourteen, was accompanying his father into the mountains when a tiger leapt out at them. Without thinking of his own life, the son protectively jumped in front of his father, scaring off the tiger with his show of determined will. Also depicted (to the left-hand sliding door in upper right shelf) is Huang Shangu (Jp: Kou Sankoku; 1045-1105), a famous Northern Song calligrapher and poet, who was so devoted to his mother that he washed her chamber pot.