A FRENCH ORMOLU-MOUNTED KINGWOOD AND JAPANESE BLACK AND GILT LACQUER BUREAU A GRADIN
A FRENCH ORMOLU-MOUNTED KINGWOOD AND JAPANESE BLACK AND GILT LACQUER BUREAU A GRADIN
A FRENCH ORMOLU-MOUNTED KINGWOOD AND JAPANESE BLACK AND GILT LACQUER BUREAU A GRADIN
4 More
A FRENCH ORMOLU-MOUNTED KINGWOOD AND JAPANESE BLACK AND GILT LACQUER BUREAU A GRADIN
7 More
Prospective purchasers are advised that several co… Read more PROPERTY FROM A DISTINGUISHED ITALIAN PRIVATE COLLECTION (LOTS 74-76, 225 & 294)
A FRENCH ORMOLU-MOUNTED KINGWOOD AND JAPANESE BLACK AND GILT-LACQUER BUREAU A GRADIN

BY LOUIS MAJORELLE, NANCY, CIRCA 1880/90

Details
A FRENCH ORMOLU-MOUNTED KINGWOOD AND JAPANESE BLACK AND GILT-LACQUER BUREAU A GRADIN
BY LOUIS MAJORELLE, NANCY, CIRCA 1880/90
The concave superstructure with pierced balustrade centred by a double-faced clock cast with rocaille and set with clambering putti, fronted with six drawers and terminating in twin-light candelabra, above an inset gilt-tooled leather writing surface and pair of frieze drawers, the bombé sides and reverse with encadrements decorated with lacquer panels, on squared cabriole legs headed by heavy acanthus clasps and tapering to foliate sabots, the drawer frame mount incised beneath the handle 'LM'
54 ¼ in. (138 cm.) high; 66 ½ in. (169.5 cm.) wide; 35 ½ in. (90 cm.) deep
Provenance
Anonymous sale; Sotheby's, London, 6 November 1986, lot 515.
Anonymous sale; Sotheby's, New York, 12 September 1995, lot 136.
Bought from YM Antiques, New York, 1 April 1996.
Special notice
Prospective purchasers are advised that several countries prohibit the importation of property containing materials from endangered species, including but not limited to coral, ivory and tortoiseshell. Accordingly, prospective purchasers should familiarize themselves with relevant customs regulations prior to bidding if they intend to import this lot into another country. This lot will be removed to Christie’s Park Royal. Christie’s will inform you if the lot has been sent offsite. Our removal and storage of the lot is subject to the terms and conditions of storage which can be found at Christies.com/storage and our fees for storage are set out in the table below - these will apply whether the lot remains with Christie’s or is removed elsewhere. Please call Christie’s Client Service 24 hours in advance to book a collection time at Christie’s Park Royal. All collections from Christie’s Park Royal will be by pre-booked appointment only. Tel: +44 (0)20 7839 9060 Email: cscollectionsuk@christies.com. If the lot remains at Christie’s it will be available for collection on any working day 9.00 am to 5.00 pm. Lots are not available for collection at weekends.

Brought to you by

Paul Gallois
Paul Gallois

Lot Essay


When offered at auction in 1986 and 1995 this bureau à gradin was not identified as the work of Louis Majorelle (1859-1926). However a firm attribution can be made with the discovery of an incised ‘LM’ mark to the gilt-bronze mounts and with reference to another bureau of the same model stamped 'L. MAJORELLE' to the carcass, decorated with vernis Martin lacquer instead of Japanese lacquer. For the vernis Martin lacquer decorated desk see C. Payne, Paris Furniture: The luxury market of the 19th century, Paris, 2018, p. 459.
Louis Majorelle (d. 1926) is best known today as one of the leading exponents of the Art Nouveau style. The son of a cabinetmaker, Majorelle initially trained as a painter at the Ecole de Beaux-Arts in Paris, where he studied under Jean-François Millet. After his father Auguste died in 1879, Majorelle returned to Nancy and took over management of the family workshop and immediately began to hone his skills as a furniture designer. This desk shows his father’s influence in the use of Japanese lacquer, which he had favoured for pieces he had made during the 1870s. Like his contemporaries, François Linke and Emmanuel Zwiener, Majorelle initially produced finely made furniture inspired by 18th-century models. By the late 1880s, like Léon Messagé's designs for Linke and Zwiener, Majorelle’s Rococo revival furniture shows the influence of the emerging Art Nouveau style.
In 1883, Majorelle participated in the Amsterdam international exhibition attracting the attention of the Dutch court resulting in two highly important commissions from the royal family comprising predominantly Louis XV style giltwood, ormolu-mounted and vernis Martin decorated furniture supplied from 1886 to the Lange Voorhout and Royal Het Loo Palaces in the Hague. By the 1880s, Majorelle began to experiment with naturalistic interpretations reminiscent of the Art Nouveau style as evident in the exaggerated bombé shape of this desk, and in the exuberant forms of the ormolu mounts and candelabra.
Around 1894 Majorelle was influenced by the Nancy glass and cabinetmaker Émile Gallé and abandoned altogether the revival styles, becoming the leading exponent of Art Nouveau furniture, winning the chevalier de la Légion dhonneur at the 1900 Paris Exposition universelle and making epoque-defining furniture of superb quality. The present bureau à gradin is a magnificent piece of furniture in itself, and also a fascinating milestone on Majorelle’s path to creating definitive Art Nouveau furniture.

More from The Collector: European and English 18th and 19th Century Furniture and Works of Art, Silver, Ceramics and Gold Boxes

View All
View All