Lot Essay
The Owl-Pillar Group, according to A. Calinescu (pp. 202-203 in M.E. Mayo, ed., The Art of South Italy: Vases from Magna Graecia), “displays an eclecticism of style and repertory that has continued to baffle scholars.” Whereas J.D. Beazley considered the “marvelously crude” style of the group to be of indigenous South Italian origin, R.M. Cook suggested that the group represented a “first venture” of “a few craftsmen, presumably immigrants from Athens” (Beazley and Cook quoted in Mayo, ed., op. cit.). More recent scholarship by Trendall has supported the local origins of the group and links its development to contemporary Etruscan pottery.