A NORTH ITALIAN PARCEL-GILT AND POLYCHROME-PAINTED MIRROR
A NORTH ITALIAN PARCEL-GILT AND POLYCHROME-PAINTED MIRROR
A NORTH ITALIAN PARCEL-GILT AND POLYCHROME-PAINTED MIRROR
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A NORTH ITALIAN PARCEL-GILT AND POLYCHROME-PAINTED MIRROR
5 More
Specified lots are being stored at Crozier Park Ro… Read more PROPERTY FROM AN ITALIAN PRIVATE COLLECTION
A NORTH ITALIAN PARCEL-GILT AND POLYCHROME-PAINTED MIRROR

LATE 17TH / EARLY 18TH CENTURY

Details
A NORTH ITALIAN PARCEL-GILT AND POLYCHROME-PAINTED MIRROR
LATE 17TH / EARLY 18TH CENTURY
The rectangular plate within a ribbon-tied foliate frame and interlacing acanthus surround, the upper sides carved with cherubs, one holding a crown and a batton, the other holding a starred garland, surmounted by a double headed eagle, minor losses to decoration
55 in. (140 cm.) high; 40 ¼ in. (102 cm.) wide
Special notice
Specified lots are being stored at Crozier Park Royal (details below) or will be removed from Christie’s, 8 King Street, London, SW1Y 6QT by 5.00pm on the day of the sale. Christie’s will inform you if the lot has been sent offsite. If the lot has been transferred to Crozier Park Royal, it will be available for collection from 12.00pm on the second business day following the sale. Please call Christie’s Client Service 24 hours in advance to book a collection time at Crozier Park Royal. All collections from Crozier Park Royal will be by pre-booked appointment only. Tel: +44 (0)20 7839 9060 Email: cscollectionsuk@christies.com. If the lot remains at Christie’s, 8 King Street, it will be available for collection on any working day (not weekends) from 9.00am to 5.00pm

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Lot Essay


This type of boldly carved scrolled acanthus mirror was produced in various centres in Italy including Lombardy, Veneto and Rome in the late 17th and the first half of the 18th Century. Carvers were inspired by engravings such as those executed by the ornemantiste Filippo Passarini (1638-1698) in 'Nuove invenzioni d'ornamenti d'architettura e d'intagli diversi', published in Rome in 1698 (see E. Colle, Il Mobile Barocco in Italia, Milano, 2000, p.110, pl.24). This mirror is reminiscent of the work executed by the workshop of the Fantoni family in Rovetta (near Bergamo). One of the leading names in the art of 'Intaglio', Andrea Fantoni (1659-1734) came from a dynasty of carvers renowned for their celebrated work in churches around Bergamo as early as the mid-15th Century. With his brothers Donato and Gian Battista, Andrea led the workshop and florished in the production of such sought-after mirrors. Designs and drawings relating to this type of mirror are in the Fondazione Fantoni in Rovetta. (op. cit. p.386, pl.96, and C.Alberici, Il Mobile Lombardo, Milano, 1969, pp.96-97). A related mirror attributed to the Fantoni workshop carved with a central putto to the cresting similar to those flanking the sides of present mirror, sold Chrisitie's London, 26 April 2016, lot 152 (£35,000).

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