A MOKHOVIK [MOSS-MAN]
A MOKHOVIK [MOSS-MAN]
A MOKHOVIK [MOSS-MAN]
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These lots have been imported from outside the EU … Read more PROPERTY FROM THE FAMILY OF THE ARTIST
A MOKHOVIK [MOSS-MAN]

RUSSIA, VYATKA REGION, EARLY 20TH CENTURY

Details
A MOKHOVIK [MOSS-MAN]
RUSSIA, VYATKA REGION, EARLY 20TH CENTURY
Stylistically modelled as a man, the body made from moss and the arms from trimmed fir cones, tied with strings, wearing woven bast lapti with string ties, on a rectangular wooden base, carrying a wooden stick, apparently unmarked; together with a group of thirty-six wooden toys, some hand-carved and hand-painted
7 in. (17.8 cm.) high
together with a group of thirty-one landscape and architectural studies and a group of two hundred and thirty-five early sketches
Provenance
The family of the artist.
By descent to the present owner.
Literature
A group of toys
K. Kiselev, Maria Iakunchikova, Moscow, 2005, illustrated p. 129.
Special notice
These lots have been imported from outside the EU or, if the UK has withdrawn from the EU without an agreed transition deal, from outside of the UK for sale and placed under the Temporary Admission regime. Import VAT is payable at 5% on the hammer price. VAT at 20% will be added to the buyer’s premium but will not be shown separately on our invoice.

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Sarah Mansfield
Sarah Mansfield

Lot Essay


Mokhoviki [Moss-men] were distinctive toy dolls originating from the Vyatka, Vologda and Kostroma regions in Russia in the 19th and early 20th centuries. Wooden toys in Northern Russia date back to the ninth century and the practice of making moss dolls is related to the ancient Slavic tradition of creating amulet toys with purported protective powers. Indeed, the dolls reflect a common belief in the Leshii, a forest deity in Slavic mythology.
Mokhoviki were hand made from moss (hence their name), pine cones, bark, wooden chips and other materials found in forests. The moss dolls were particularly popular at the turn of the century and were displayed at numerous exhibitions in Russia and abroad to exemplify North Russian crafts. The production of moss dolls began to slow down after the 1930s, such that nowadays these moss dolls are rather rare, with only a few preserved in museums, including a small number of dolls in the collection of the State Russian Museum in St Petersburg.
It is possible that the distinctive red-painted wooden toys - the cockerel, carriage and horse - were designed by Iakunchikova herself as sketches for similar toys can be seen in archival photographs of her posthumous exhibition in 1905. Furthermore, a number of wooden toys were displayed by Iakunchikova at the L'exposition universelle de 1900, Paris (see lot 22).

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