PAIRE DE PANNEAUX MURAUX EN EMAUX CLOISONNES
PAIRE DE PANNEAUX MURAUX EN EMAUX CLOISONNES
PAIRE DE PANNEAUX MURAUX EN EMAUX CLOISONNES
PAIRE DE PANNEAUX MURAUX EN EMAUX CLOISONNES
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This item will be transferred to an offsite wareho… Read more PREVIOUSLY IN THE COLLECTION OF GEORGES HOENTSCHEL (1855-1915) Georges Hoentschel was an important French architect, decorator, ceramist and a fervent collector with an eclectic taste. He was specialized in the 18th century style and decorated many sumptuous places including the mansion of the couturier Jacques Doucet and the Pavillon des Muses in Neuilly for the poet Robert de Montesquiou. He also worked for Julius Wernher, the king of Greece and the Emperor of Japan. During his life, he developed close friendship with important artists such as Marcel Proust, Auguste Renoir, Edgar Degas, Auguste Rodin or Giovanni Boldini. In 1903, Georges Hoentschel and his family moved to 58, Boulevard Flandrin and skillfully transformed the mansion into a large exhibition space in which his personal art collection was beautifully displayed including our current pair of cloisonné enamel plaques which were hung in the staircase according to the inventory document made by André Portier in 1923. Today, the majority of his personal art collection are in public organizations including the dominant collection of the medieval art of the Metropolitan Museum of Art of New York, which he had once sold to his friend J. Pierpont Morgan (1837-1913), the powerful American financier and former president of the museum.
PAIRE DE PANNEAUX MURAUX EN EMAUX CLOISONNES

CHINE, DYNASTIE QING, EPOQUE QIANLONG (1736-1795)

Details
PAIRE DE PANNEAUX MURAUX EN EMAUX CLOISONNES
CHINE, DYNASTIE QING, EPOQUE QIANLONG (1736-1795)
De forme rectangulaire, le premier est à décor de deux papillons multicolores dansant au-dessus des branchages de pivoines épanouies de couleur rose pâle. Le second est délicatement orné d'un martin-pêcheur volant au dessus d'un étang, entouré par des fleurs de lotus enveloppées par des feuilles ondulées. Les deux panneaux sont encadrés par une frise de fleurs stylisées sur un fond turquoise rehaussé de motifs géometriques dessinés en bronze doré.
Dimensions de chaque panneau: circa 75,5 x 31,5 cm. (29 ¾ x 12 3/8 in.)
Provenance
Apraised by André Portier, 26 November 1923.
French private collection.
Literature
Nicole Hoentschel, Georges Hoentschel (1855-1915), Editions d'art Monelle Hayot, 2000, P.135.
Special notice
This item will be transferred to an offsite warehouse after the sale. Please refer to department for information about storage charges and collection details.
Further details
A PAIR OF COISONNE ENAMEL 'FLOWERS' HANGING WALL PANELS
CHINA, QING DYNASTY, QIANLONG PERIOD (1736-1795)

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Tiphaine Nicoul
Tiphaine Nicoul

Lot Essay

It is rare to find lavishly enamelled cloisonne panels of such exquisite quality. The treatment of the colours of the enamels are particularly well executed with a remarkable artistic statement such as the presence of gold and orange hues outlining the green leaves to convey twilight.
The auspicious subjects such as peonies, lotus, butterflies and the kingfisher depicted in the current pair of panels would have suggested they were possibly part of the wall decoration in the palace chambers.
A smaller panel (44 x 37 cm.) similarly enamelled with five varieties of flowers, each with corresponding seven-word verse, is illustrated by H. Brinker and A. Lutz, Chinese Cloisonné: The Pierre Uldry Collection, The Asia Society Galleries, pl. 306.
A pair of Qianlong imperial 'butterflies and flowers' table screens with the same geometrical background as our present lot is included in Colorful, Elegant, and Exquisite: A Special Exhibition of Imperial Enamel Ware from Mr. Robert Chang's Collection, Suzhou Museum, 2007, p. 96.
Compare to a set of four related imperial panels, each depicting seasonal weather conditions, sold in Christie's Hong Kong, 28 April, 1996, lot 23. Also see a larger set of four rectangular cloisonne enamel 'flower' panels, from the collection of Lady Anne M.S. Durston, dated Qianlong-Jiaqing period, sold in Bonhams London, 12 November 2015, lot 209.

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