A LARGE INK AND COLOR ON SILK PAINTING OF GUANDI
A LARGE INK AND COLOR ON SILK PAINTING OF GUANDI
A LARGE INK AND COLOR ON SILK PAINTING OF GUANDI
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PROPERTY FROM THE INDIA HOUSE CLUB COLLECTION, NEW YORK
A LARGE INK AND COLOR ON SILK PAINTING OF GUANDI

EARLY QING DYNASTY, 17TH CENTURY

Details
A LARGE INK AND COLOR ON SILK PAINTING OF GUANDI
EARLY QING DYNASTY, 17TH CENTURY
Painted in ink and color on silk, the God of War is shown standing with his left hand raised to hold his long beard and his right extended to hold his long blade. He wears a long robe decorated in front with a leaping dragon and underneath the armor decorated with lion-form epaulet on the shoulder, his hair is pulled up and tied beneath a cloth cap, and his face has a fierce expression. The painting is inscribed in a cartouche at the proper lower left corner, xing bu qi xin lang Zhou Tiancheng deng zao (made by court official translators including Zhou Tiancheng). The painting is set within an elaborately carved gilt-wood frame with commemorative panel reading 'THIS CANTON CARVED FRAME Presented to INDIA HOUSE by MR. W.E. BEMIS, One of the Governors', and with inscriptions at either corner reading Zhao Sanyou zao (made by Zhao Sanyou) and Yuedong Sheng Yuan Chang Xi (Yuedong province Yuan Chang Xi [probably the name of the individual who commissioned the frame]).
103 x 60 ½ in. (261.6 x 153.7 cm.), including frame
Provenance
W.E. Bemis (d. 1915) Collection.
Willard D. Straight (1880-1918) Collection, acquired before 1914.

Brought to you by

Vicki Paloympis (潘薇琦)
Vicki Paloympis (潘薇琦) Head of Department, VP, Specialist

Lot Essay


The cartouche in the lower proper left corner includes the name Zhou Tiancheng, who is known to have served as one of the court translators during the third year of the Shunzhi reign (1646). He was later placed in charge of the imperial silk factories in Suzhou and continued to be active into the early Kangxi reign.

Guandi, also known as Guangong (Lord Guan), is reputed to be the military hero, Guanyu of the Three Kingdoms period (AD 220-280), who was killed in battle along with his adopted son Guanping and his trusted general Zhoucang in Jingzhou by the army of Sun Quan, the ruler of the state of Wu. The accounts of his superhuman abilities and incorruptible character are dramatized in the fourteenth-century historical novel, Sanguozhi yanyi (Romance of the Three Kingdoms). The figure of Guandi underwent much transformation in Chinese history from military hero to being deified as a God of War. For further discussion on see J. Larson and R. Kerr, 'A Hero Restored: the Conservation of Guan Di', Orientations, July 1991, pp. 28-34.

The cult of Guandi was actively supported by the Ming Court and his image can be found in Court paintings, such as the large hanging scroll, Guan Yu Captures an Enemy General by the early fifteenth-century painter Shang Xi, illustrated by C. Clunas, Art in China, Oxford and New York, 1997, p. 70, fig. 32. In the Qing period his popularity continued to grow, and he became an important deity for both Daoist and Buddhist devotees.

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