AN A.J.F. CHRISTY (STANGATE GLASS WORKS) 'WELL SPRING' WATER CARAFE DESIGNED BY RICHARD REDGRAVE
AN A.J.F. CHRISTY (STANGATE GLASS WORKS) 'WELL SPRING' WATER CARAFE DESIGNED BY RICHARD REDGRAVE
AN A.J.F. CHRISTY (STANGATE GLASS WORKS) 'WELL SPRING' WATER CARAFE DESIGNED BY RICHARD REDGRAVE
AN A.J.F. CHRISTY (STANGATE GLASS WORKS) 'WELL SPRING' WATER CARAFE DESIGNED BY RICHARD REDGRAVE
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AN A.J.F. CHRISTY (STANGATE GLASS WORKS) 'WELL SPRING' WATER CARAFE DESIGNED BY RICHARD REDGRAVE

CIRCA 1847-50, TRACES OF PRINTED R. REDGRAVE ARA MARK AND REGISTRATION DIAMOND

Details
AN A.J.F. CHRISTY (STANGATE GLASS WORKS) 'WELL SPRING' WATER CARAFE DESIGNED BY RICHARD REDGRAVE
CIRCA 1847-50, TRACES OF PRINTED R. REDGRAVE ARA MARK AND REGISTRATION DIAMOND
Commissioned by Felix Summerly's Art Manufactures, the body decorated with reeds issuing from the base below a flowerhead border to the shoulder, gilt rim
10 ½ in. (26.8 cm.) high
Provenance
Acquired from Adrian Tilbrook, 1981.
Literature
I. Hamerton ed., W.A.S. Benson: Arts and Crafts Luminary and Pioneer of Modern Design, Woodbridge, 2005, p. 16.
B. Coleman, The Best of British Arts & Crafts, Atglen, PA, 2004, p. 20

COMPARATIVE LITERATURE:
G. Naylor, The Arts and Crafts Movement, London, 1971, pl. 3.

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Adrian Hume-Sayer
Adrian Hume-Sayer Director, Specialist

Lot Essay


This carafe was designed by the painter and writer Richard Redgrave (1804-1888) for Henry Cole (1808-1882), who in the 1840s commissioned artists to design domestic objects for everyday use. From 1847 he sold them under the name 'Summerly's Art Manufactures'. The design of the decoration, known as the 'Well Spring', was intended to reflect the function of the object, one of the guiding principles for designs promoted by Cole. The 'Well Spring' was Redgrave's first design for the Summerly scheme; it was completed and handed over to Cole on 10 January 1847 and sold to J. F. Christy of Stangate Glassworks, Lambeth, less than a month later. A version with handles was described as 'the Water Jug', and was shown in the Society of Arts Exhibition of Recent British Manufactures in 1848. By the end of 1847 in glass, it was offered as a single-handled jug, as a 'caraffe and glass' and as the handle-less version (as in the present lot). For further discussion of the history of this design see the example in the Victoria and Albert Museum, London, museum no. 4503-1901.

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