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ROBERT FRANK (1924–2019)
ROBERT FRANK (1924–2019)
ROBERT FRANK (1924–2019)
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Property from The Metropolitan Museum of Art, Sold to Benefit Collections Care
ROBERT FRANK (1924–2019)

Parade – Hoboken, New Jersey, 1955

Details
ROBERT FRANK (1924–2019)
Parade – Hoboken, New Jersey, 1955
gelatin silver print, printed c. 1977
signed in ink (margin); with Metropolitan Museum of Art deaccession stamp (verso)
image: 9 x 13 3/4 in. (22.8 x 34.9 cm.)
sheet: 12 x 16 in. (30.4 x 40.6 cm.)
Provenance
Pace MacGill Gallery, New York;
Anonymous Gifts, 1986.
Literature
Robert Frank, Les Américains, Delpire, Paris, 1958, no. 1.
Robert Frank, The Americans, Grove Press, New York, 1959, no. 1, and in all subsequent editions.
Minor White (ed.), 'Robert Frank', Aperture, vol. 9, no. 1, 1961, p. 6.
Willy Rotzler, 'Robert Frank,' Du, vol. 22, no. 1, Zurich, January 1962, p. 16.
John Szarkowski, The Photographer's Eye, The Museum of Modern Art, New York, 1966, p. 155.
Robert Frank, The Lines of My Hand, Yugensha, Tokyo, 1972, p. 57, and in each of the subsequent variant editions.
Martin Mann, Documentary Photography: Time Life Library of Photography, New York, 1972, p. 168.
Robert Frank, Robert Frank: The Aperture History of Photography Series, Aperture Foundation, New York, 1976, cover.
John Szarkowski, Photography Until Now, The Museum of Modern Art, New York, 1989, p. 258.
Sarah Greenough et al., Robert Frank: Moving Out, National Gallery of Art, Washington, D.C., 1994, p. 175.
Peter Galassi, American Photography, 1890-1965, The Museum of Modern Art, New York, 1995, p. 215.
Peter Galassi, Walker Evans & Company, The Museum of Modern Art, New York, 2000, pl. 316.
Ian Penman, Robert Frank: Storylines, Tate Modern, London, 2004, frontispiece 3.
Sarah Greenough, Looking In: Robert Frank's The Americans, National Gallery of Art, Washington, D.C., 2009, cover, pp. 211 and 460 and contact no. 1.
Peter Galassi, Robert Frank, In America, Steidl, Göttingen, 2014, p. 107.

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Rebecca Jones
Rebecca Jones Associate Specialist, Head of Sale

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