THOMAS STRUTH (NÉ EN 1954)
THOMAS STRUTH (NÉ EN 1954)
THOMAS STRUTH (NÉ EN 1954)
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Artist's Resale Right ("droit de Suite"). If the … Read more
THOMAS STRUTH (NÉ EN 1954)

Garten am Lindberg mit Sonnenblumen Winterthur, N° 1, 1991

Details
THOMAS STRUTH (NÉ EN 1954)
Garten am Lindberg mit Sonnenblumen Winterthur, N° 1, 1991
tirage C-print
signé à l'encre sur étiquette du photographe portant le titre, la date et le numéro d'édition '7/10' et '#5797' et numéroté '7/10' au crayon (dos du cadre)
image : 137.5 x 173.5 cm. (54 1/8 x 68 ¼ in.)
feuille : 178.5 x 212 cm. (70 ¼ x 83 ½ in.)
Ce tirage est le numéro sept d'une édition de dix exemplaires.
Provenance
Galerie Marian Goodman, Paris
Acquis directement auprès de celle-ci par le propriétaire actuel, en 1999
Literature
Thomas Struth, Landschaften: Photographien 1991-1993, Achenbach Kunsthandel, Düsseldorf, 1994, pl. 7.
Douglas Eklund et al., Thomas Struth 1977-2002, Dallas Museum of Art, Dallas; Museum of Contemporary Art, Los Angeles; Metropolitan Museum of Art, New York; Museum of Contemporary Art, Chicago, 1997, p. 71.
Catalogue d'exposition, Thomas Struth, Still, Carré d'Art, Nîmes; Stedelujk Museum, Amsterdam; Centre national de la photographie, Paris, 1998, p. 85.
Thomas Struth, Dandelion Room, Schirmer/Mosel, Munich, 2001, room 110.
Michael Kimmelman "Photography Review; Where Truth Dares to Meet Your Gaze", The New York Times, 7 février, 2003.
Special notice
Artist's Resale Right ("droit de Suite"). If the Artist's Resale Right Regulations 2006 apply to this lot, the buyer also agrees to pay us an amount equal to the resale royalty provided for in those Regulations, and we undertake to the buyer to pay such amount to the artist's collection agent. This item will be transferred to an offsite warehouse after the sale. Please refer to department for information about storage charges and collection details.
Further details
C-PRINT; SIGNED IN INK ON TYPED PHOTOGRAPHER’S LABEL WITH TITLE, DATE AND EDITION NUMBER '7/10' AND '#5797' AND NUMBERED '7/10' IN PENCIL (FRAME BACKING BOARD)

Brought to you by

Elodie Morel-Bazin
Elodie Morel-Bazin Head of Department, Europe

Lot Essay

Thomas Struth’s 1990s landscapes fall within a subtle continuum of his streets images. Here, the photographer embarkes on themes such as flowers and rural scenes. At the same time, developing a reflection on the connections between sites of exhibitionand that of art, our relation to history and cultural heritage, and the role of photography as an art medium.
Between 1991 and 1993, Thomas Struth produced this series in the surroundings of Winterthur, and more specifically in the hospital’s gardens, where the photographs were eventually exhibited in the thirty seven hospital rooms. The photographs are composed with flowers and botanical views, themes that are already largely exploited in history of art and history of photography. However, his interpretation is no less unique and the beauty of these landscapes is transcendental.

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