PAUL CÉZANNE (1839-1906)
PAUL CÉZANNE (1839-1906)
PAUL CÉZANNE (1839-1906)
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PAUL CÉZANNE (1839-1906)

Arbres se reflétant dans l’eau (lac d’Annecy?)

PAUL CÉZANNE (1839-1906)
Arbres se reflétant dans l’eau (lac d’Annecy?)
watercolor and pencil on paper
12 ¼ x 18 in. (31.2 x 45.7 cm.)
Executed circa 1896
Ambroise Vollard, Paris.
A.J. McNeil Reid, London.
The Lefevre Gallery (Alex. Reid & Lefevre, Ltd.), London.
Sir Michael Sadler, Oxford (November 1937).
The Leicester Galleries (Ernest Brown & Phillips Ltd.), London.
Captain Eric Alport, Oxford (by March 1946).
Heinz Berggruen, Paris (by 1974).
Private collection, Europe; sale, Sotheby's, London, 26 June 1991, lot 213.
Acquired at the above sale by the family of the present owners.
D. Sutton, "The Paradoxes of Cézanne," Apollo, vol. 100, no. 150, August 1974, p. 107 (illustrated, fig. 18).
J. Rewald, Paul Cézanne: The Watercolors, A Catalogue Raisonné, Boston, 1983, p. 201, no. 470 (illustrated).
W. Feilchenfeldt, J. Warman and D. Nash, The Paintings, Watercolors and Drawings of Paul Cézanne: An Online Catalogue Raisonné (, no. FWN 1412 (illustrated in color).
London, The Lefevre Gallery (Alex. Reid & Lefevre, Ltd.), Cézanne, Derain, Vicky, Guy Marson, December 1937, no. 5.
London, Tate Gallery; Leicester Museum and Art Gallery and Sheffield, Graves Art Gallery, Paul Cézanne: An Exhibition of Watercolours, March–July 1946, p. 8, no. 40 (titled Trees by Water).
Tokyo, National Museum of Western Art; Kyoto Municipal Museum of Art and Fukuoka Cultural Center, Cézanne, March–August 1974, no. 79 (illustrated).
New York, The Museum of Modern Art; Houston, Museum of Fine Arts, and Paris, Galeries nationales du Grand Palais, Cézanne: The Late Work, October 1977–July 1978, p. 409, no. 78 (illustrated, p. 290, pl. 87).
Yokohama Museum of Art and Nagoya, Aichi Prefectural Museum of Art, Cézanne and Japan, September 1999–March 2000, p. 61, no. 34 (illustrated).
Rome, Complesso dei Vittoriano, Cézanne: Il padre dei moderni, March–July 2002, p. 198 (illustrated in color, p. 199).

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