HASSAN KASHI: AFTAB INNAMA
HASSAN KASHI: AFTAB INNAMA
HASSAN KASHI: AFTAB INNAMA
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HASSAN KASHI: AFTAB INNAMA

SIGNED 'ABD AL-RASHID [DAYLAMI], MUGHAL INDIA, 17TH CENTURY

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HASSAN KASHI: AFTAB INNAMA
SIGNED 'ABD AL-RASHID [DAYLAMI], MUGHAL INDIA, 17TH CENTURY
Poetry, Persian manuscript on paper, 9ff., plus four flyleaves, 10ll. of black nasta'liq in clouds reserved against a gold ground flanked by gold and polychrome illuminated panels, within gold and black rules, laid down on card within gold floral illuminated margins, opening folio with gold and polychrome illuminated headpiece, colophon signed, in Safavid gilt-stamped binding, polychrome découpé doublures
Text panel 7 x 3 3⁄8in. (17.6 x 8.6cm.); folio 9 7⁄8 x 5 7⁄8in. (25 x 14.8cm.)
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Lot Essay


Mawlana Hassan bin Mahmud Kashani Amoli, known as Hassan Kashi was a poet and mystic of the eight century, whose poetry was largely based on the Shi'a saints, especially Imam 'Ali. He held great status under Uljaytu, who constructed a mausoleum for him in Soltaniyeh which was completed and restored during the reigns of Shah Tahmasp and Fath 'Ali Shah Qajar.
This manuscript is signed by 'Abd al-Rashid [Daylami], also known as 'Rashida' (d. 1647). Our scribe was born Qazvin and studied calligraphy with his maternal uncle, famed calligrapher Mir ʿImad Hasani, most likely during his residence in Isfahan. After the assassination of his famous uncle in 1615, 'Abd al-Rashid was given shelter by Jahangir at the Mughal court. Subsequently 'Abd al-Rashid was appointed as the calligraphy instructor to Shah Jahan's favourite son Dara Shikoh. While calligraphic panels by 'Abd al-Rashid Daylami are known in collections such as panels within an album in the Walters Art Museum, (inv.no.W.668), manuscripts in his hand are less commonly found.

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