Lot Essay
Painted in 1968, Horizontal Figure was bought by Professor John Ball and his partner Dr. Gordon Hargreaves in 1971. They considered it one of his most inventive canvases and were particularly impressed by both the eloquent use of pigment and the muted, limited palette. Hargreaves believed it to be one of Vaughan’s most considered comments on the human condition and a direct response to the disturbing figure paintings of Francis Bacon. The artist was particularly pleased that Horizontal Figure entered their collection:
'9 Belsize Park, NW3
25 March, 1971
Dear John, Thank you for your letter & the cheque. John Langstaff called the other day flushed with triumph to announce that he’d “managed to sell” the Horizontal Figure! For my part I couldn’t be more pleased that the picture has found such a sympathetic home. I’m only sorry you had to pay so much for it. But there was nothing I could do about that once the M[arlborough] F[ine] A[rt] had their claws on it. You must choose a drawing of something next time you’re here as a little gift to make up for it. Incidentally I was able to give the canvas its final varnish when I had it back here (it’s only a very thin coat of wax mastic & quite imperceptible). As ever, Keith'
We are very grateful to Gerard Hastings, whose forthcoming book Keith Vaughan: The Graphic Art, is soon to be published by Pagham Press, for his assistance in preparing this catalogue entry.