.jpg?w=1)
.jpg?w=1)
.jpg?w=1)
.jpg?w=1)
Lot Essay
The striking red and yellow combination is a distinctive colour scheme of the Jiajing period but to produce these enamels on porcelain was a technically challenging process. The failure rate was high and these jars are rare survivors. Three firings were required: first at around 1300 °C for clear-glazed porcelain, then at a lower temperature for the yellow overglaze enamel, and finally at a still lower temperature for the black outlines and the iron-red background.
Red and yellow dragon jars appear to have been made in three different versions that vary slightly in size, design and form. This jar belongs to the group of the largest size and comparable examples can be found in museums around the world. Few from private collections ever come to the market. A closely-related jar measuring 21.8 cm high is in the collection of The British Museum, London, donated by Harvey Heddon in 1930, 0719.48, and illustrated by Jessica Harrison-Hall in Ming Ceramics in the British Museum, London, 2001, no.9:90; another in the Palace Museum Collection, Beijing, is illustrated in Complete Collections of Treasures of the Palace Museum. Miscellaneous Enamelled Porcelain, Plain Tricoloured Porcelains, Shanghai, pl.50; two further jars were included in the International Exhibition of Chinese Art, Royal Academy, London, 1935-1936, one with a cut-down neck from the collection of Dr E Haltmark, Stockholm, Sweden, no. 1949, and the second from the Museum fur Kunst und Gewerbe, Hamburg, Germany, no.1952.
A closely related jar, 21 cm high, but with no cover, is illustrated in Mayuyama Seventy Years, Tokyo, Japan, 1976, p278, no. 832. The same publication illustrates two further red and yellow enamel dragon jars with more waisted forms representing the two smaller sizes: the first measuring 11 cm high, illustrated p 278, no. 833; and the second jar, from from the collection of The Museum Yamato Bunkakan, Japan, measuring 13.5 cm diameter, illustrated on p 278, no. 834.
A red and yellow enamel 'dragon' jar, 13.4 cm high, from the Manno Art Museum was sold at Christie's Hong Kong, 28 October 2002, lot 540. The present jar is closely related to the example sold at Sotheby's Hong Kong, 7 October 2015, lot 3659, that measured 20.2cm high but which had no cover.
Red and yellow dragon jars appear to have been made in three different versions that vary slightly in size, design and form. This jar belongs to the group of the largest size and comparable examples can be found in museums around the world. Few from private collections ever come to the market. A closely-related jar measuring 21.8 cm high is in the collection of The British Museum, London, donated by Harvey Heddon in 1930, 0719.48, and illustrated by Jessica Harrison-Hall in Ming Ceramics in the British Museum, London, 2001, no.9:90; another in the Palace Museum Collection, Beijing, is illustrated in Complete Collections of Treasures of the Palace Museum. Miscellaneous Enamelled Porcelain, Plain Tricoloured Porcelains, Shanghai, pl.50; two further jars were included in the International Exhibition of Chinese Art, Royal Academy, London, 1935-1936, one with a cut-down neck from the collection of Dr E Haltmark, Stockholm, Sweden, no. 1949, and the second from the Museum fur Kunst und Gewerbe, Hamburg, Germany, no.1952.
A closely related jar, 21 cm high, but with no cover, is illustrated in Mayuyama Seventy Years, Tokyo, Japan, 1976, p278, no. 832. The same publication illustrates two further red and yellow enamel dragon jars with more waisted forms representing the two smaller sizes: the first measuring 11 cm high, illustrated p 278, no. 833; and the second jar, from from the collection of The Museum Yamato Bunkakan, Japan, measuring 13.5 cm diameter, illustrated on p 278, no. 834.
A red and yellow enamel 'dragon' jar, 13.4 cm high, from the Manno Art Museum was sold at Christie's Hong Kong, 28 October 2002, lot 540. The present jar is closely related to the example sold at Sotheby's Hong Kong, 7 October 2015, lot 3659, that measured 20.2cm high but which had no cover.