ATTRIBUTED TO LUCA BERTELLI (ACTIVE 1564-1589) AFTER DOMENICO CAMPAGNOLA (CIRCA 1500-1564)
PROPERTY OF THE LATE PROFESSOR ERIC STANLEY
ATTRIBUTED TO LUCA BERTELLI (ACTIVE 1564-1589) AFTER DOMENICO CAMPAGNOLA (CIRCA 1500-1564)

The Tribute Money

Details
ATTRIBUTED TO LUCA BERTELLI (ACTIVE 1564-1589) AFTER DOMENICO CAMPAGNOLA (CIRCA 1500-1564)
The Tribute Money
engraving, circa 1564-1589, on laid paper, watermark Tree in a Circle surmounted by a Star (Woodward 126; first recorded in Venice,1565), a very fine, early impression of this large and rare subject, printing with many wiping marks throughout the sheet, much plate tone and good contrasts, the guidelines in the text pronounced, with narrow margins, in very good condition
Plate 344 x 434 mm.
Sheet 350 x 440 mm.
Provenance
With Colnaghi & Co., London (according to the inscription on the former frame).
Eric G. Stanley (1913-2018), Oxford; acquired from the above.
Literature
Le Blanc 7;
See M. Grosso, Un editore per Tiziano. Luca Bertelli e le stampe di devozione tra Italia e Spagna, in 2018, in Venezia e gli Asburgo. Pittura, collezionismo e circuiti commerciali nel tardo Rinascimento Europeo, Venezia, 2018, pp. 58-59 and 154-55.

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Stefano Franceschi
Stefano Franceschi Specialist

Lot Essay

Luca Bertelli was a libraio (bookseller), engraver, and one of the leading publishers in Venice in the second half of the 16th century. He collaborated with various Italian artists and engravers such as Martino Rota, Gaspare Oselli and Agostino Carracci. Domenico Campagnola, towards the end of his career, made a series of drawings which were given to or ended up in the hands of Bertelli and were used as models for some engravings. One of the drawings, the Banquet of the Rich Man and Lazarus, set in a Landscape is in the Morgan Library, New York (inv. no. IV, 64; for the print, see Le Blanc 6).
It is generally assumed that this plate was engraved by Luca Bertelli himself. The tablet at the lower left corner reads 'Dominicus Campagnola inventor. Luca Bertelli f.'. The 'f.' might stand for 'fecit' (made or engraved, in Latin) or 'formis' (published, in Latin). Most of the engravings published by Luca bear the inscription 'formis', identifying him as the publisher, rather than the engraver, and it seems likely that these plates, including the present one, were engraved by another hand, yet to be identified.
The present impression is superior to the ones we could find in major public collections.

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