A LARGE CARVED LONGQUAN CELADON 'WINE' JAR
A LARGE CARVED LONGQUAN CELADON 'WINE' JAR
A LARGE CARVED LONGQUAN CELADON 'WINE' JAR
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Please note that this lot is subject to an import … Read more
A LARGE CARVED LONGQUAN CELADON `WINE' JAR

YUAN DYNASTY (1279-1368)

Details
A LARGE CARVED LONGQUAN CELADON 'WINE' JAR
YUAN DYNASTY (1279-1368)
The jar is carved with four large cartouches enclosing the characters qing xiang mei jiu (beautiful wine of clear fragrance).
13 1/2 in. (34.3 cm.) wide, Japanese wood box
Special notice
Please note that this lot is subject to an import tariff. The amount of the import tariff due is a percentage of the final hammer price plus buyer's premium. The buyer should contact Post Sale Services prior to the sale to determine the estimated amount of the import tariff. If the buyer instructs Christie's to arrange shipping of the lot to a foreign address the buyer will not be required to pay the import tariff, but the shipment may be delayed while awaiting approval to export from the local government. If the buyer instructs Christie's to arrange shipping of the lot to a domestic address, if the buyer collects the property in person, or if the buyer arranges their own shipping (whether domestically or internationally), the buyer will be required to pay the import tariff. For the purpose of calculating sales tax, if applicable, the import tariff will be added to the final hammer price plus buyer's premium and sales tax will be collected as per The Buyer's Premium and Taxes section of the Conditions of Sale.

Brought to you by

Rufus Chen (陳嘉安)
Rufus Chen (陳嘉安) Head of Sale, AVP, Specialist

Lot Essay

The same inscription can be seen carved in relief in panels on a jar of this shape with cover illustrated by J. Ayers, The Baur Collection, Chinese Ceramics, vol. I, London, 1968, A 108. It is also on an ovoid jar illustrated by R. Krahl, Chinese Ceramics in the Topkapi Saray Museum, Istanbul, vol. I, London, 1986, p. 371, no. 537; and on a meiping in the Victoria and Albert Museum illustrated by R. Kerr (ed.), Chinese Art and Design: Art Objects in Ritual and Daily Life, New York, 1991, p. 167, no. 73, where the author notes, p. 164, the inscription may be a trademark.

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