A BRONZE SCULPTURE OF KOKI (REAR-GUARD DEMON)
A BRONZE SCULPTURE OF KOKI (REAR-GUARD DEMON)
A BRONZE SCULPTURE OF KOKI (REAR-GUARD DEMON)
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A BRONZE SCULPTURE OF KOKI (REAR-GUARD DEMON)
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A BRONZE SCULPTURE OF KOKI (REAR-GUARD DEMON)

MUROMACHI PERIOD (15TH-16TH CENTURY)

Details
A BRONZE SCULPTURE OF KOKI (REAR-GUARD DEMON)
MUROMACHI PERIOD (15TH-16TH CENTURY)
Thickly cast as Koki (rear-guard demon) seated and holding a vase in his right hand and wearing bamboo backpack
5 1/2 in. (14 cm.) high
Provenance
Kokon, Inc,. New York

Brought to you by

Takaaki Murakami (村上高明)
Takaaki Murakami (村上高明) Vice President, Specialist and Head of Department | Korean Art

Lot Essay

Ascetics were entering mountainous areas of Japan for the practice of austerities at least as early as the Nara period. They are generally known as shugenja, meaning those who accumulate power or expertise through severe ascetic practices such as fasting, seclusion, meditations, magical exercises and the like. They were not necessarily Buddhist monks, but included various hermits and wandering religious figures. The most famous of these ascetics was En no Gyoja (b. 634), revered as the founder of the shugendo sects. He operated mainly in the Katsuragi-Yoshino and Kumano regions. It is said that he arrived in this area at an early age, studied the secret magic formulae of esoteric Buddhism and Daoism and attained miraculous powers.
He is often depicted as a central figure of a triad with two servant-demons, Zenki (fron-guard demon) and Koki (rear-guard demon). This pair of demons is believed to be a couple, Zenki the husband and Koki the wife. While Zenki holds axe in hos hand, Koki carries vase filled with sacred water and medicine in her backpack.

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