ANONYMOUS (17TH CENTURY)
ANONYMOUS (17TH CENTURY)

Gion Festival

Details
ANONYMOUS (17TH CENTURY)
Gion Festival
Six-panel screen; ink, color, gold and gold leaf on paper
60 1/4 x 110 1/4 in. (153 x 280 cm.)
Provenance
Kokon, Inc., New York

Brought to you by

Takaaki Murakami (村上高明)
Takaaki Murakami (村上高明) Vice President, Specialist and Head of Department | Korean Art

Lot Essay

The annual mid-summer Gion Festival is in full swing in the heart of Kyoto. The procession includes warriors in complete armor and colorful decorated carts called yama and hoko. The yama are box-like structures carried on long poles on men's shoulders and feature life-sized dolls representing themes from Chinese and Japanese history. The hoko are the double-deck wagons carrying musicians that are pulled by teams of strong young men. The carts are decorated with works of art, including valuable medieval tapestries. Also part of the festival are the three fancy mikoshi, or portable Shinto shrines, that have been carried across the river from the Gion Shrine. A tourist attraction even today, the Gion Festival originated in the ninth century to ward off the evils of a mid-summer epidemic. The sacred carts and poles bearing halberds were paraded through the streets to exorcise the demons of the epidemic.

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