Lot Essay
The inscription reads: hasb al-farmayish mu'tamid al-sultan aqa-yi habibullah khan dama iqbaluhu al-'ali bi-jihat-i bandigan janab-i jalalat-ma'ab-i ajall aqa-yi beglerbegi, ('Order of Mu'tamid al-Sultan Aqa habibullah Khan, may his lofty fortune last, for the sake of [one of God's] servants His excellence the glorious, the most glorious Aqa Beglerbegi (Governor General), may his lofty shadow be extended').
Though many horse covers are decorated with stylised animals, examples of such an overtly pictorial nature as this one are attributed to West Persian weaving centres. Two examples are published by Parviz Tanavoli (Horse and Camel Trappings from Tribal Iran, Tehran, 1998, nos. 2 and 3), of which the former has a dark green border with a similar floral meander to the present lot. A pictorial khordjin, also attributed to Bijar, was offered by Rippon Boswell, 29th November 2014, lot 65, and is dated to AH 1347/1929 AD.
Based on the weaving of this horse cover and what is known of the patron, it is likely that this example was woven a few decades earlier: Mu’tamid al-Sultan Habibullah Khan is also recorded in a document dated 2 Shawwal 1330 (1911), arranging the estate of his wife in the event of his death. When this was woven the horse and trap was a relatively new arrival in Iran and had become a symbol of progress. Mozaffar al-Din Shah liked being photographed in them as he visited European capitals, though he generally steered clear of them after 1900 when a French anarchist attempted to shoot him as he travelled across Paris in one. The carriage of Nasir al-Din Shah is preserved today at the Historical Automobile Museum, Tehran.