JOHN WOOTTON (1686-1764)
JOHN WOOTTON (1686-1764)
JOHN WOOTTON (1686-1764)
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JOHN WOOTTON (1686-1764)

'The Bloody Shoulder'd Arabian'

Details
JOHN WOOTTON (1686-1764)
'The Bloody Shoulder'd Arabian'
signed 'J.Wootton Fect.' (lower right) and inscribed 'BLOODY SHOULDERD ARABIAN.' (upper right)
oil on canvas
39 1/2 x 50 in. (101 x 127 cm.)
Provenance
(Probably) painted for Thomas Osborne, 4th Duke of Leeds (1713-1789), Hornby Castle, Yorkshire, and by descent to
John Osborne, 11th Duke of Leeds (1901-1963); Sotheby’s, London, 14 June 1961, lot 18 (£1,000 to the following),
with Frost & Reed, London.
with the Rutland Gallery, London, 1963.
James F. Lewis Jnr., Florida; (†) Sotheby's, New York, 10 June 1983, lot 150.
with Richard Green, London, 1984, where purchased.
Literature
Historical and descriptive catalogue of pictures belonging to His Grace The Duke of Leeds, London, 1902, p. 12, no. 19, in the Billiard Room.
W. Shaw Sparrow, British Sporting Artists from Barlow to Herring, London, 1922, pp. 89 and 110.
A. Bury, ‘Celebrated Sires’, The Connoisseur, CXLVIII, no. 595, September 1961, p. 162.
A. Meyer, John Wootton 1628-1764: Landscapes and sporting art in early Georgian England, exhibition catalogue, London, 1984, p. 34, under no. 5.
Exhibited
London, Grosvenor Gallery, Sport Illustrated by Art, 1890, no. 230.
Special notice
This lot has been imported from outside of the UK for sale and placed under the Temporary Admission regime. Import VAT is payable at 5% on the hammer price. VAT at 20% will be added to the buyer’s premium but will not be shown separately on our invoice.

Brought to you by

Amelia Walker
Amelia Walker Director, Specialist Head of Private & Iconic Collections

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Lot Essay


John Wootton was the pre-eminent artist specialising in sporting and landscape subjects for most of the first half of the eighteenth century. His classic single-horse portraits, such as the present picture, were an original formula presenting his subjects in profile, in a landscape setting. The Bloody Shoulder'd Arabian, so-called because of the distinctive red markings on his right side, was bought in Aleppo by Nathaniel Harley, who had settled there as a merchant in 1686. Arabian horses were great status symbols, on account of their success as stallions and the considerable problems and costs associated with importing them. The stallion passed through different ownerships, as was commonplace; at one time he was owned by the 4th Duke's uncle, Edward Harley, 2nd Earl of Oxford, one of Wootton’s most important patrons. The artist painted several portraits of the stallion, always depicted in this profile.

Thomas Osborne, 4th Duke of Leeds, and his father, the 3rd Duke, were both important patrons of Wootton and Hornby Castle, the principal seat of the Dukes of Leeds after Kiveton Hall was demolished in 1812, housed a considerable collection of works by the artist. In 1902, the present work was listed in the Billiard Room of Hornby Castle.

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