SIMON DE VOS (ANTWERP 1603-1676)
SIMON DE VOS (ANTWERP 1603-1676)
SIMON DE VOS (ANTWERP 1603-1676)
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This lot has been imported from outside of the UK … Read more PROPERTY FROM A EUROPEAN PRIVATE COLLECTION
SIMON DE VOS (ANTWERP 1603-1676)

Minerva and Mercury protecting Painting against Ignorance and Calumny

Details
SIMON DE VOS (ANTWERP 1603-1676)
Minerva and Mercury protecting Painting against Ignorance and Calumny
oil on panel, with the stamp of the Antwerp Guild of Saint Luke
16 ¼ x 22 5/8 in. (40.8 x 57.5 cm.)
Provenance
with Gooden and Fox, London, from whom acquired in 1961 by the following,
Christian B. Peper (1911-2011); (†) Christie's, New York, 26 January 2012, lot 259.
Literature
E. McGrath, 'The Painted Decoration of Rubens', Journal of the Warburg and Courtauld Institutes, XLI, 1978, p. 275.
D. Cast, The Calumny of Apelles: a study of the humanist tradition, New Haven, 1981, pp. 182-3, fig. 51.
Exhibited
Saint Louis Art Museum, A Gentleman Collects, 25 October 2002-5 January 2003.
Special notice
This lot has been imported from outside of the UK for sale and placed under the Temporary Admission regime. Import VAT is payable at 5% on the hammer price. VAT at 20% will be added to the buyer’s premium but will not be shown separately on our invoice.

Brought to you by

Lucy Speelman
Lucy Speelman Junior Specialist, Head of Part II

Lot Essay


The Antwerp painter Simon de Vos here depicts an artist's studio inhabited by a variety of allegorical and mythological figures. On the left stands Minerva, goddess of Wisdom and protector of the arts, her arm around the female personification of Painting holding a palette in her hand. Across the studio, critics, accompanied by a withered old crone, likely Fury, stand before a painting that is being protected by Mercury. The picture represents the Judgement of Midas: Midas, having judged the music contest between Apollo and Pan, has been given ass' ears for preferring Pan's music to that of Apollo. Like Midas, the critics in the studio bear ass' ears, a motif that Flemish artists often used to denote ill-informed art criticism in this period. Scattered on the floor are artists' implements and a poem in Dutch, extolling the power of art over dishonour. Overhead, Fama blows her trumpet.

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