SIR JAMES GUTHRIE, P.R.S.A., H.R.A., R.S.W. (BRITISH, 1859-1930)
SIR JAMES GUTHRIE, P.R.S.A., H.R.A., R.S.W. (BRITISH, 1859-1930)
SIR JAMES GUTHRIE, P.R.S.A., H.R.A., R.S.W. (BRITISH, 1859-1930)
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PROPERTY OF A GENTLEMAN
SIR JAMES GUTHRIE, P.R.S.A., H.R.A., R.S.W. (BRITISH, 1859-1930)

The Morning Paper

Details
SIR JAMES GUTHRIE, P.R.S.A., H.R.A., R.S.W. (BRITISH, 1859-1930)
The Morning Paper
signed and dated 'J. Guthrie/ 90' (upper right)
pastel and charcoal on paper
19 ¾ x 24 ½ in. (50.2 x 62.3 cm.)
Provenance
Andrew Macintosh Patrick.
Captain J.M.S. Steuart, Strathay.
Literature
J. Caw, Sir James Guthrie: A Biography, London, 1932, p. 234.
Art & Artists, March 1967, p. 58, illustrated in colour.
Exhibited
Glasgow, Thomas Lawrie & Sons, 85 Vincent Street, Mr Guthrie's Pastels, 14 -30 March, 1891.
Edinburgh, The Royal Scottish Academy, Memorial Exhibition of Pictures by the late Sir James Guthrie, 1931.
Arts Council Touring Exhibition, Decades 1890-1900, 1967, no. 72.
London, The Fine Art Society, The Glasgow School of Painting, May, 1970, no. 11.
Helensburgh, Helensburgh and District Art Club, Helensburgh and the Glasgow School, 1972, no. 12.
Glasgow, Kelvingrove Art Gallery & Museum and London, Royal Academy, Pioneering Painters: The Glasgow Boys 1880-1900, April 2010 - January 2011, no. 123.
The Fine Art Society, Andrew Macintosh Patrick Collection, 2007, no. 67.

Brought to you by

Alastair Plumb
Alastair Plumb Specialist, Head of Sale, European Art

Lot Essay

Sir James Guthrie was a renowned Scottish artist and a prominent member of the radical young movement known as ‘The Glasgow Boys’, alongside artists such as John Lavery and Joseph Crawhall. ‘The Glasgow Boys’ contributed to the emergence of a new style that questioned the conventions pioneered by the Victorian academy.

By 1885, Guthrie was at the peak of his career, an associate of the Royal Scottish Academy, and had become committed to portraiture. The present lot, executed shortly after this appointment, depicts a female subject in a white dress and feathered bonnet, engrossed in the page of a newspaper; a delicate and intimate moment of introspection. It belongs to a group of works known as the 'Helensburgh series' of pastels, posed for by members of the Whyte family and their friends (exh. catalogue Helensburgh and the Glasgow School, 1972, p. 17). Guthrie lived in Helenburgh in the 1880s, and sought to convey images of middle class life in this series.

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