Lot Essay
The powerfully structured and bold neoclassicism of this pair of candelabra reflect the avant-garde neoclassical style of the 1760s, also known as the goût grec, promoted by progressive designers such as Jean-François de Neufforge and Jean-Charles Delafosse, whose Nouvelle Iconologie Historique of 1768 featured a wide variety of ornament inspired by antiquity. The plates were composed to inspire artisans working in a wide range of media, who could either carry out the published design or re-use various elements from it. The use of a flaming finial, the slender uprights and hanging laurel swags points directly to Delafosse as the source of the design for this pair of candelabra, see H. Ottomeyer and P. Pröschl et al, Vergoldete Bronzen, Vol. I., Munich, 1987, figs. 3.9.4 and 3.9.7, pp. 186-7.