A NISHAPUR POTTERY BOWL
A NISHAPUR POTTERY BOWL
A NISHAPUR POTTERY BOWL
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PROPERTY FROM A PRIVATE AMERICAN COLLECTIONLots 27-43 come from a Private American collection. They were all excavated with legal licenses in Iran in the 1930s and 40s and were brought to America at a time when Europe was becoming more troubled, and America was considered the marketplace with the greatest potential. The supply of serious works of art, coupled with active promotion by scholars such as Arthur Upham Pope, meant that interest in collecting Persian art rapidly grew, with museums building up representative collections as well as private individuals forming collections of the highest quality.
A NISHAPUR POTTERY BOWL

NORTH EAST IRAN, 10TH CENTURY

Details
A NISHAPUR POTTERY BOWL
NORTH EAST IRAN, 10TH CENTURY
Of rounded form on a short foot, the green-spotted yellow ground under a clear glaze, decorated with black stylised kufic radiating from a central point, alternated with four palmette motifs, repaired breaks
9 3⁄8in. (23.8cm.) diam.
Provenance
American collection by 1971
Further details
Some countries prohibit or restrict the purchase and/or import of Iranian-origin property. Bidders must familiarise themselves with any laws or shipping restrictions that apply to them before bidding on these lots. For example, the USA prohibits dealings in and import of Iranian-origin “works of conventional craftsmanship” (such as carpets, textiles, decorative objects, and scientific instruments) without an appropriate licence. Christie’s has a general OFAC licence which, subject to compliance with certain conditions, would enable a buyer to import this type of lot into the USA. If you intend to use Christie’s licence, please contact us for further information before you bid.

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Lot Essay


The vivid design on this bowl does justice to the excavation reports of Charles Wilkinson, a curator at the Metropolitan Museum in New York, during his excavations of Nishapur - this ‘new and extraordinary’ type of pottery is ‘vigorously drawn’ with a ‘bright and gay’ colour scheme (quoted by Oliver Watson, Ceramics of Iran, London, 2020, p.124). The absence of any of the figures and animals which often appear on ceramics of this type draws attention instead to this example’s extraordinary colours - a combination of a lead stannate yellow pigment with a copper-based green, with broad black outlines in a pigment containing enough manganese to lend it a slight purple tint (Charles Wilkinson, Nishapur: Pottery of the Early Islamic Period, New York, 1974, p.4).

‘Inanimate’ designs such as this are often arranged into four parts by intersecting bands, such an example has been published as part of the al-Sabah Collection (Oliver Watson, Ceramics from Islamic Lands, London, 2004, p.251, Cat. H.6). On the present lot, however, these bands have been replaced by four lines of pseudo-kufic, somewhat resembling the word baraka – ‘blessing’. Together with the spotted background, it more closely resembles two unusual examples sold by Sotheby’s London, one as part of a Princely Collection, 5 October 2010, lot 65 and the other 3 October 2012, lot 146.

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