REMBRANDT HARMENSZ. VAN RIJN (1606-1669)
REMBRANDT HARMENSZ. VAN RIJN (1606-1669)

Beggar Man and Beggar Woman conversing

Details
REMBRANDT HARMENSZ. VAN RIJN (1606-1669)
Beggar Man and Beggar Woman conversing
etching
1630
on laid paper, without watermark
a very good impression of the second state (of three)
printing strongly and sharply
with narrow margins
in good condition
Plate 78 x 65 mm.
Sheet 81 x 69 mm.
Provenance
Unidentified, pencil inscription Vign. Dec. 1872, probably French, 19th century (not in Lugt).
With Paul Prouté, Paris.
Sam Josefowitz (Lugt 6094); acquired from the above in 1978; then by descent to the present owners.
Literature
Bartsch, Hollstein 164; Hind 7; New Hollstein 45 (this impression cited)
Stogdon p. 297

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Tim Schmelcher
Tim Schmelcher International Specialist

Lot Essay

In the small etchings offered in the current and adjacent lot, Rembrandt’s acute sense of observation is focused on two couples of vagabonds, the first one standing in conversation and the second on the move outside of the city. Literary sources may reveal something about the social attitudes towards people at the edge of society in Rembrandt's time, but it is not clear what the attraction of or the demand for such little sketches was. There is very little context or local colour, so the artist's and the viewer's interest must have been in the figures alone. They are dressed in rags and their advanced age or possibly just the hardships of many years spent on the street are suggested by their walking sticks, hunched backs and wizened features. It speaks for Rembrandt's humanity and character that there seems no moral judgment or ridicule in the way he depicts these beggars and tramps. Itinerant and homeless people must have been a common sight in Holland at this time of great political unrest and social upheaval, as thousands of migrants, often religious refugees, came from the Southern Netherlands and other parts of Europe and tried to settle in Amsterdam, a city then growing at an astonishing rate.

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