REMBRANDT HARMENSZ. VAN RIJN (1606-1669)
REMBRANDT HARMENSZ. VAN RIJN (1606-1669)

Two Tramps, a Man and a Woman

Details
REMBRANDT HARMENSZ. VAN RIJN (1606-1669)
Two Tramps, a Man and a Woman
etching and échoppe (?)
circa 1634
on laid paper, without watermark
a fine impression of this very rare little print
second, final state
printing very strongly and clearly
with a thread margin below, trimmed just inside the platemark elsewhere
in very good condition
Sheet 61 x 47 mm.
Provenance
Unidentified, initials MJ (?) and nr. 142 in brown ink verso (not in Lugt).
George Hibbert (1757-1837), London (Lugt 2849, recto); his sale, Thomas Philipe, London, 17 April 1809 (and following days), 14th day, lot 127 (with three others; £ 1.2; to Grave).
With Robert Grave Jr. (1768-1825), London.
With Craddock & Barnard, London.
Sam Josefowitz (Lugt 6094); acquired from the above in 1970; then by descent to the present owners.
Literature
Bartsch, Hollstein 144; Hind 116; New Hollstein 130 (this impression cited)
Stogdon 65

Brought to you by

Tim Schmelcher
Tim Schmelcher International Specialist

Lot Essay

This small and rather rare composition, albeit thematically related to the beggars of 1630-31, was created a few years later. The title of the work suggests only the presence of a man and a woman, but we actually see a family travelling along a country road, as the woman is, in fact, carrying an infant on her back
The scenery is simple but very expressive: the couple is depicted in profile, walking to the right, some trees and shrubs outlined in the background suggest an open landscape. The immediacy of the scene, with a strong sense of movement and light, is achieved through the interplay of fine and broad lines. The very sketchy detail of the man’s right foot, drawn and then re-drawn with a broader line, has an almost modernist appeal. According to Hinterding (2008, p. 284), Rembrandt may have opted for the use of an échoppe, a tool previously employed by Jacques Callot, for this thicker, curved lines.

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