CHAÏBIA TALAL (1929, CHTOUKA - 2004, CASABLANCA)
CHAÏBIA TALAL (1929, CHTOUKA - 2004, CASABLANCA)
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CHAÏBIA TALAL (1929, CHTOUKA - 2004, CASABLANCA)

Aïcha

Details
CHAÏBIA TALAL (1929, CHTOUKA - 2004, CASABLANCA)
Aïcha
signed 'CHAÏBIA' (lower right); signed, titled, inscribed and dated '1988 Aicha N-25 CHAÏBIA' (on the reverse)
oil on canvas
31 ¾ x 27 ¾in. (80.6 x 70.6cm.)
Painted in 1988
Provenance
The artist, thence by descent.
Anon. sale, Compagnie Marocaine des œuvres et objets d'art Casablanca, 20 December 2014, lot 31.
Dr Ramzi and Saeda Dalloul Collection, Beirut.
Thence by descent to the present owner.

Brought to you by

Marie-Claire Thijsen
Marie-Claire Thijsen Head of Sale, Associate Specialist

Lot Essay

Painted in 1988, Aïcha captures the essence of an abstract female figure set against a dynamic backdrop of solid, organic shapes. Renowned for her chromatic technique, Chaïbia Talal applied paint directly from the tubes without pre-mixing, systematically covering the canvas with saturated paint sections. This work showcases the artist's mastery of bold, flat colours and simplified forms, imbuing the artwork with a childlike innocence and a discernible sense of energy and dynamism. Talal brings her distinctive touch to this work, characterised by exaggerated proportions, elongated limbs, and bold facial expressions. Given her own experience as a single mother, Aïcha may potentially serve as a tribute to the feminist activist who founded the Association Solidarité Féminine (ASF) in 1985, Aicha Chenna, often likened to ‘Morocco's Mother Teresa’. Staying true to her characteristic joyful depiction of women, Talal incorporates regional attire and headpieces into this painting, thus paying homage to the rich cultural heritage she so deeply cherished.

Born in 1929 in the province of El Jadida, Talal is one of the most celebrated female Moroccan artists of the Twentieth Century. Her outstanding artistic journey unfolded amidst personal challenges. At the very young age of fifteen, she became a widow and a single mother, shouldering the responsibility of caring for her child. However, it was at the age of twenty-five that her life took a transformative turn. In a dream, she was presented with a collection of art materials, propelling her into a lifelong creative journey, despite her prior lack of artistic experience. Guided and supported by Moroccan painter Ahmed Cherkaoui and Pierre Gaudibert, the director of Musée d'Art Moderne in Paris, Talal refined her 'Art Brut' style, veering away from conventional influences and embracing a more vivid colour palette and a simplified interpretation of form and shape in her art. She garnered acclaim for her colourful, vibrant and stylised paintings, with a primary focus on capturing the portraits of local Moroccan women.

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