STUDIO OF MARCUS GHEERAERTS THE YOUNGER (BRUGES 1561 / 62-1635 LONDON)
STUDIO OF MARCUS GHEERAERTS THE YOUNGER (BRUGES 1561 / 62-1635 LONDON)
STUDIO OF MARCUS GHEERAERTS THE YOUNGER (BRUGES 1561⁄62-1635 LONDON)
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STUDIO OF MARCUS GHEERAERTS THE YOUNGER (BRUGES 1561 / 62-1635 LONDON)

Portrait of Sir Henry Lee (1533-1611), half-length, in a white and gold doublet and gilt embroidered black cape, wearing the Garter Collar and Great George of the Order of the Garter

Details
STUDIO OF MARCUS GHEERAERTS THE YOUNGER (BRUGES 1561 / 62-1635 LONDON)
Portrait of Sir Henry Lee (1533-1611), half-length, in a white and gold doublet and gilt embroidered black cape, wearing the Garter Collar and Great George of the Order of the Garter
oil on canvas
44 x 34 ¼ in. (111.8 x 87 cm.)
inscribed 'Fide · et · constantia' (upper left) and 'Anno Dom: 1600 / Ætatis Sua. 68' (upper right)

Please note that 100% of the hammer proceeds from this auction will be paid to the Sandys Trust, registered charity number: 1168357, with the exception of limited deductions towards sale costs across the auction which cannot be accurately calculated at this time, capped at a total of £10,000.
Provenance
By descent in the family to Richard Hill, 7th Baron Sandys (1931-2013), Ombersley Court, Worcestershire.
Literature
ONM / 1 / 2 / 7, journal entry for a visit to Ombersley Court, 25 August 1950, Oliver Millar Archive, Paul Mellon Centre, London, pp. 22 and 23.
R. Strong, Tudor and Jacobean Portraits, London, 1969, I, p. 191, as 'a copy'.
Ombersley Court Inventory, June 1963, annotated Ombersley MS, where listed in 'The Study'.
Ombersley Court Catalogue of Pictures, undated, Ombersley MS., p. 12, where listed in 'The Study'.

Brought to you by

Adrian Hume-Sayer
Adrian Hume-Sayer Director, Specialist

Lot Essay

Despite no longer being a young man, Sir Henry Lee, of Ditchley, remains in this portrait the model of the sophisticated courtier, in a gilt embroidered cape and trunk hose, a white satin and gold braided doublet and a ruff à la confusion. In 1597, he had been made a Knight of the Garter, a fact he proudly proclaims though the prominent Garter Chain and Great George he wears across his chest. Between 1570 and 1590, Lee was champion to Queen Elizabeth I, in which capacity he organised the Ascension Day Tilts, the elaborate annual festivities he devised to celebrate the Virgin Queen’s ascension to the throne. Sir Henry also commissioned the Ditchley Portrait of Elizabeth, in which she is seen standing on a map of England, one toe neatly placed beside Lee’s home, Ditchley Court, to commemorate her stay there in 1592. This visit involved a lavish Spenserian entertainment, in which the queen rescued inconstant knights, notably Lee himself. This may have been a veiled apology for the fact that his mistress, the notorious Anne Vavasour, was now living with him. The present portrait is a studio version of Gheeraerts’ prime, which is currently on loan to the Tate Britain.

We are grateful to Professor Karen Hearn for her assistance in the cataloguing of this lot.

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