WILLEM VAN DE VELDE THE YOUNGER (LEIDEN 1633-1707 WESTMINSTER) AND STUDIO
WILLEM VAN DE VELDE THE YOUNGER (LEIDEN 1633-1707 WESTMINSTER) AND STUDIO
WILLEM VAN DE VELDE THE YOUNGER (LEIDEN 1633-1707 WESTMINSTER) AND STUDIO
WILLEM VAN DE VELDE THE YOUNGER (LEIDEN 1633-1707 WESTMINSTER) AND STUDIO
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WILLEM VAN DE VELDE THE YOUNGER (LEIDEN 1633-1707 WESTMINSTER) AND STUDIO

An English fleet running along a high coast in a moderate breeze

Details
WILLEM VAN DE VELDE THE YOUNGER (LEIDEN 1633-1707 WESTMINSTER) AND STUDIO
An English fleet running along a high coast in a moderate breeze
oil on canvas
57 ½ x 71 in. (146.2 x 180.3 cm.)
Please note that 100% of the hammer proceeds from this auction will be paid to the Sandys Trust, registered charity number: 1168357, with the exception of limited deductions towards sale costs across the auction which cannot be accurately calculated at this time, capped at a total of £10,000.
Provenance
Commissioned by Admiral Edward Russell, 1st Earl of Orford (1652-1727) for Chippenham Hall, Cambridgeshire, and by inheritance to his great-niece,
Letitia Tipping (1699-1779) wife of Samuel Sandys, 1st Baron Sandys (1695-1770), and by descent to their son,
Edwin Sandys, 2nd Baron Sandys (1726-1797), and by inheritance to his niece,
Mary, Marchioness of Downshire and 1st Baroness Sandys (1764-1836), and by descent to her second son,
Lieutenant-General Arthur Hill, 2nd Baron Sandys (1792-1860), and by inheritance to his younger brother,
Arthur Marcus Sandys, 3rd Baron Sandys (1798-1863), and by descent in the family to,
Richard Hill, 7th Baron Sandys (1931-2013), at Ombersley Court, Worcestershire.
Literature
J. Grego, Inventory of Pictures: Portraits, Paintings, etc., Ombersley MS., 1905, where listed in the Great Dining Hall.
ONM / 1 / 2 / 7, journal entry for a visit to Ombersley Court, 25 August 1950, Oliver Millar Archive, Paul Mellon Centre, London, p. 29.
A. Oswald, 'Ombersley Court, Worcestershire - II', Country Life, 9 January 1953, p. 96, p. 97, pl. 10.
Ombersley Court Inventory, annotated Ombersley MS., June 1963, where listed in the Dining Room.
M.S. Robinson, Van de Velde: A Catalogue of the Paintings of the Elder and Younger Willem van de Velde, Greenwich, 1990, II, p. 969-70, no. 638.
Ombersley Court Catalogue of Pictures, undated, Ombersley MS., p. 28, where listed in the Ballroom.
Exhibited
London, Earl's Court, Naval, Shipping and Fisheries Exhibition, 1905, no. 417.

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Adrian Hume-Sayer
Adrian Hume-Sayer Director, Specialist

Lot Essay

It is unclear exactly which two-decker ship takes centre stage in this work, but it was presumably at one time under the command of Admiral Russell. Robinson points out that possible candidates include the Defiance, which Russell captained in 1677, or the Swiftsure, of which Russell was captain in 1678 (op. cit., p. 969). In Ombersley inventories, the subject of the painting has traditionally been identified as the capture of French ships by the British, possibly during the Battle of Barfleur, but as Robinson acknowledges it is unlikely that this is the case, and is more probably a 'convoy or escort' near the Spanish or Portuguese coast (op. cit., p. 970). A crowd of people watch the ships from between two buildings on top of the cliffs. The exact location has not been identified, and although Robinson suggests that they show some resemblance with Dover, he concedes that because of van de Velde's acquaintance with the area it it is unlikely that he would have painted an erroneous view of it (loc. cit.).

We are grateful to Remmelt Daalder for his assistance in the cataloguing of this lot.

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